Notes

Downton Abbey Movie Review photographs
The tiaras are out in pressure, the silver patch bins and Art Deco beaded attire are in full vogue, and there are long, loving photographs of classic motorcars tooting down country lanes reduce via rolling green lawns. In brief, Downton Abbey the movie looks and feels identical to the TV sequence did — and that’s good news for anyone who beloved the show.

The movie picks up after the top of the television sequence, which hints at important change in early-20th-century English society and the possible dissolution of the aristocratic hierarchy at Downton. But ซีรี่ย์จีน โรแมนติก wouldn’t be Downton Abbey if its status quo was toppled, and this film doesn’t dare upset that boat.

Instead, the family’s funds are in dire need of a lift (even aristocrats have roofs that leak), so Lady Mary Crawley decides to hire out the house for a Hollywood movie shoot. This brings a rush of technicians and craftsmen to the property, in addition to a pair of glamorized stars. Downton’s servants, led by the feisty and sharp-witted kitchen maid Daisy (Sophie McShera), fawn over a dashing Guy Dexter and scowling Myrna Dalgleish, who maintain secrets behind their glittering veneers.

This clash of societal forces offers the film’s most diverting subplots and, as within the television collection, the likable characters show they'll deal with just about any interpersonal problem with a little bit of salt-of-the-earth frankness. But the arrival of a film crew also serves as a timely reminder that even probably the most beloved of high-society families may be living in a bubble that’s about to burst.

In the end, Downton Abbey the film is a satisfying if uneven caper that should thrill fans of the televised series. It stretches the narrative out right into a feature-length format and permits its talented forged to stretch their skills in new ways. And it will remind viewers of a time when a healthful drama could be enjoyed by everyone, from the pampered heirs to their devoted servants.

Dove Family-Approved for Ages 12+
Downton Abbey: A New Era is a Carnival Films and Downton Productions presentation, produced by Emmy winners Gareth Neame and Liz Trubridge with Julian Fellowes. The screenplay is by Fellowes. Simon Curtis, whose earlier work includes My Week with Marilyn and Woman in Gold, directed the film.


The film is a Carnival Films and Downton manufacturing, with Focus Features and Universal Pictures International distributing.

This movie was made attainable by the help of the National Lottery.

To discover out more about how you can get involved and help us deliver quality movies to the big display screen, go to our Big Films for Small Screens web page.

Movies are often more expensive to make than TV shows, which is why you’ll discover that the scenes in this movie are sometimes longer and extra elaborate than these in the TV sequence. What was it in regards to the setting and costumes that helped this film appear more grand and cinematic than its budget would suggest?

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