Notes

Ambulance (DVD) Review tasks
Director Michael Bay has had a rough go of it recently. Between bloated, unrelenting Transformers sequels and mediocre direct-to-video tasks, it has been hard for audiences to get their repair of the motion specialist's trademark giddy thrills. Thankfully, the person who made Armageddon and Bad Boys returns with Ambulance, a small-scale thriller that offers a satisfying shot of his signature type.

In a movie that plays like one long, breathless automotive chase, the movie follows army veteran Will Sharp (Yahya Abdul-Mateen II) as he seeks quick money for his infirm wife and infant son. He's recruited by his brother, Danny Sharp (Jake Gyllenhaal), to help with a heist at a downtown Los Angeles financial institution. The two quickly discover themselves ensnared in an escalating sequence of violence and deception.

What makes Ambulance fascinating is the way it splices collectively motion sequences of different types. The opening automotive chase feels utterly genuine, with Bay's trademark high-octane visible style on full show: dazzling colours, glossy reverence for flipping cars, and the type of vertiginous pleasure that comes from overhead drone pictures swooping atop skyscrapers as they track down a cataclysmic crash in progress.

The enhancing team likewise is conscious of tips on how to pull the viewers in and out of every new burst of frenetic power, building up suspense and then dropping back to reveal the characters' emotional states. The whole movie has a deranged sense of humor, too, with the occasional scene playing like a mash-up of Bong Joon-ho's Okja and Christopher Cross's ballad version of "Saving Private Ryan."

Despite its overlong running time, Ambulance has plenty to offer fans of the director's work. Its heist is ruthlessly thrilling, and it's clear that each Abdul-Mateen and Gonzalez are having fun with their roles. Gyllenhaal, however, is at ซีรี่ย์จีน over-the-top, delivering his traces with the kind of manic, zany enthusiasm that makes him a pure for movies like this.

For essentially the most half, Ambulance is free of the sneering self-reference that has marred many of the director's newer films. Cam, Will's paramedic girlfriend played by Eiza Gonzalez, will get a few scenes of her own to shine by way of the chaos, however she's not given much room to develop as a character past being his love curiosity..
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