Notes

ELVIS movie Review method
A tumbling tower of flamboyance and fetishistic extra, Baz Luhrmann’s model of the King of Rock ‘n’ Roll is as gaudy as Elvis himself. The movie, like its topic, straddles a nice line between spectacular and cheesy, and between slick and boring.

Luhrmann’s strategy, which is to throw everything in with a sense of giddy abandon, could be effective at capturing the sense of over-the-top vitality and spectacle that made Presley such an inimitable attraction in his prime. But he usually fails to offer the material the weight it needs to really feel substantial. He additionally mishandles cloying musical biopic clichés. From over-the-top pictures of ladies at his early exhibits erupting into screams and throwing their underwear onstage, to scandalous headlines, finger-wagging moral gatekeepers growing hysterical over how he was busting down racial obstacles and promoting indecency, the film is full of cliches that maintain it from reaching any actual emotional heights.


There are some notable exceptions, in fact. The film does a fairly good job of contextualizing Elvis’s early experiences in Black spaces (Tupelo, Memphis’s Beale Street) and how these black juke joints and gospel music revivals hooked him on blues and gospel as a child. It’s part of the picture that many have omitted through the years. And the movie puts a few of his most well-known songs again into the mouths of the Black musicians who first wrote them, situating him as an appreciator of that music rather than the thief so many have claimed him to be through the years.

The film’s treatment of the relationship between Elvis and his manager, Colonel Tom Parker, is somewhat more problematic. Played by Tom Hanks under layers of absurd prosthetics and a truly baffling accent, Parker comes off as cartoonishly evil which undercuts the stress that this story is meant to generate.

Despite ซีรี่ย์เกาหลีซับไทย , the film nonetheless manages to seize a few of the sense of wonder that we felt as kids watching Elvis in his prime, and for that reason it’s price a viewing. But don’t expect something close to a definitive account of the man’s life.

ELVIS opens in theaters on June 24. Check out the trailer beneath..

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