Notes

Ambulance (DVD) Review tasks
ซีรี่ย์จีนพากย์ไทย has had a rough go of it recently. Between bloated, unrelenting Transformers sequels and mediocre direct-to-video tasks, it has been onerous for audiences to get their fix of the action specialist's trademark giddy thrills. Thankfully, the person who made Armageddon and Bad Boys returns with Ambulance, a small-scale thriller that gives a satisfying shot of his signature fashion.

In a film that plays like one lengthy, breathless car chase, the film follows army veteran Will Sharp (Yahya Abdul-Mateen II) as he seeks fast money for his infirm spouse and toddler son. He's recruited by his brother, Danny Sharp (Jake Gyllenhaal), to help with a heist at a downtown Los Angeles financial institution. The two quickly find themselves ensnared in an escalating sequence of violence and deception.


What makes Ambulance fascinating is the best way it splices collectively motion sequences of different styles. The opening car chase feels utterly genuine, with Bay's trademark high-octane visual style on full display: dazzling colours, shiny reverence for flipping automobiles, and the type of vertiginous joy that comes from overhead drone photographs swooping atop skyscrapers as they track down a cataclysmic crash in progress.

The enhancing group likewise is aware of the means to pull the viewers out and in of every new burst of frenetic power, increase suspense after which dropping again to reveal the characters' emotional states. The whole movie has a deranged sense of humor, too, with the occasional scene taking half in like a mash-up of Bong Joon-ho's Okja and Christopher Cross's ballad model of "Saving Private Ryan."

Despite its overlong running time, Ambulance has a lot to supply followers of the director's work. Its heist is ruthlessly thrilling, and it's clear that each Abdul-Mateen and Gonzalez are having fun with their roles. Gyllenhaal, then again, is at his most over-the-top, delivering his lines with the kind of manic, zany enthusiasm that makes him a natural for movies like this.

For essentially the most half, Ambulance is freed from the sneering self-reference that has marred most of the director's more modern movies. Cam, Will's paramedic girlfriend played by Eiza Gonzalez, gets a few scenes of her personal to shine through the chaos, but she's not given a lot room to develop as a character past being his love curiosity..

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