Notes

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The delightful, mischievous sheep who stars in Aardman's Oscar-winning Wallace and Gromit short "A Close Shave" has a brand-new adventure here, one that takes him into the metropolitan landscape of London. Like all the Aardman creations, this motion picture's script is stuffed with visual gags that might not make the average cinemagoer laugh aloud but will have hardcore fans of animation busting a gut. The film has actually zero spoken dialogue, however the soundtrack is overrun with noises (mumbled gibberish, growls and bleats) and music that aptly fits thematically and wittily conceived scenes.
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A firmly balanced montage-- shot Super 8 style-- shows the cheerful day-to-day regimen on Mossy Bottom Farm, where the flock is tended by a bald human farmer and his put-upon pet dog Bitzer. A little bit of mischief occurs when Shaun and his bleating entourage inadvertently roll their caravan into the city, where they're pursued by animal containment services. They ultimately land in a hairdresser, where their master, acting upon an unclear recollection of shearing his own sheep, gets a gig cutting the hairstyles of stars.

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Among the most memorable minutes: the farmers's caravan is pulled into a giant robot by some kind of mechanical bull; a large pig lacks the robotic and runs over a woman (who looks surprised but unhurt); the sheep and alien fly their spacecraft to a cliff ignoring an ancient temple, where they're signed up with by a snorting bull that crashes into the ruins, breaking everything however its snout; and a masked figure clad in white and red bathrobes, black gloves and safety glasses gets in a barber shop, begins shearing hair and yelps nonsense syllables.
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The story is smart and entertaining, and the movie's tone shifts from slapstick to sentimentality with ease. However the most crucial aspect is the gleeful, extremely inventive sense of enjoyable that permeates every frame. Aardman's film is not just a winning kids' flick; it's likewise a sly artistic manifesto, a throwback to quiet slapstick and a nod to the enduring appeal of the claymation category. The only thing that's missing out on is a cameo by a particular famous pig.


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