Notes

Kinetic Monte Carlo method used on micrometric compound detachment elements by sleek causes.
This article develops a theoretical articulation between Freud's conceptions about the functioning of the unconscious system and the phenomenon described by Vygotsky as "inner language." We describe Vygotsky's theoretical work on inner language and relate it to Freudian postulates regarding the functioning of the unconscious system and the passage from representations of this system to consciousness. Although Freud and Vygotsky come from different traditions and different understandings of psychological functioning, we consider that a dialogue between the two positions and their theoretical proposals can contribute to a better understanding of the phenomenon of inner language in the human experience. Following Freud, we conclude that the origin of inner language meets the conditions for being considered a derivative or formation of the unconscious, given that its phenomenological description is consistent with the functioning of the primary process as well as with a compromise formation between desire and censorship.Freud argues that the laws of classical logic do not hold true with regard to the unconscious. The aim of this paper is to provide an alternative logic that is consistent with Freud's conception of the unconscious. This aim is achieved in two steps. First, I argue that most Freudian features of the unconscious are consequences of the fact that unconscious thoughts in the Freudian sense are negationless. selleck chemical Then I suggest a formal logical system that lacks the negation symbol, and is known as negationless-logic, with which to formulate the logic of the unconscious. I demonstrate that this suggestion provides a better understanding of various psychological phenomena, such as projection, reaction-formation, delusion and the misconstrual of the empty set in childhood. Finally, I argue that negationless-logic provides solutions to certain shortcomings in Matte-Blanco's formulation of the logic of the unconscious.The nature of the intersection between literature and psychoanalysis has been variously theorized since Freud first acknowledged his debt to the "poets and philosophers". I propose that one way we might conceptualize the shared work of poetry and psychoanalysis is as the working-through of the founding violence of our initiation into language, a working-through sustained by a bonus of pleasure. A detailed reading of "In the village" by the American poet Elizabeth Bishop suggests that she and Piera Aulagnier may be read as parallel theorists of this necessity for a bonus of representational pleasure. Aulagnier's concept of the pictogram, a primal psychic representation recording the affect present at the moment of the first encounter between mother and infant, places reciprocal pleasure at the origins of the infant's capacity to invest in the activity of representing. Bishop's text stages an initial trauma, a maternal scream, damaging her child's linguistic functioning. It then charts the progressive revivifying of the child's representational capacities as she hears a "beautiful sound". This leads to a partial cure of her linguistic functioning, enabling her to metabolize the initial scream, to find metaphorical resonance within language and to delimit the impact of the initial trauma.This the first in a series of articles on how Psychodynamic Therapy with Infants and Parents (PTIP) can inspire work with adult therapy. PTIP helps infants and parents improve their relationship and facilitate child development. During sessions, developmental hazards are dramatized by parent and baby, giving the therapist first-hand impressions of how conflictual relationships impact on the well-being of mother and child. This article argues that PTIP experiences may also inspire analytic work with adult patients. (1) It gives the analyst a foothold when reconstructing a patient's infantile trauma and linking it with his/her present distress. (2) It deepens his/her attention on primitive anxieties, para-verbal communication and psychosomatic functioning. (3) PTIP experiences with high-speed interchanges between container and contained, personified by baby and parent, seem to induce more internal images and metaphors in adult work as well. (4) Working with two patients simultaneously means the analyst's position resembles that of a couple therapist or a participant observer of the traffic between container and contained. This can make him/her more agile in dealing with corresponding movements between him/herself and the patient. The present article focuses on (1), reconstructive work in adult work inspired by PTIP experiences.In a highly charged scene in Gianfranco Rosi's documentary Fuocoammare, a group of African migrants disembark and are met by the Italian coastguard, in an encounter marked with fear, foreboding and expectant anticipation. The refugees are inspected by officers who, encapsulated in antiseptic uniforms and masks, screen them. Their faces are strained by alienation and fear. Witnessing the encounter permits the viewer to imagine and represent the anxieties elicited when strangers come into close proximity. Besides the interpersonal level, rendered cinematically by the documentary, a psychoanalytic framework offers the possibility to think about the subjective and intrapsychic resonance of the "uncanny effect," with the attendant derealization and depersonalization that characterize a disturbance of the sense of identity. Following Rosi's suggestion to regard Lampedusa as a metaphor, I will locate in the island my exploration of the "work of identity" carried out by subjects and groups from very diverse cultural contexts, when they come into contact with one another. I will employ De M'Uzan's theory of the "spectrum of identity" as a useful heuristic tool to access a dynamic and transformational psychic field to capture identities in the making, in a close reading of the chanting scene which Rosi defines as epic.Massive psychic trauma due to genocidal persecution leaves an indelible imprint upon the psyche. These effects, however, may be variable due to many factors, such as one's age during the onset of the trauma, the nature of the trauma, its duration, post-liberation experiences, etc. While these effects persist throughout one's life, this presentation will focus on the end of the life cycle when survivors, like everyone else, are faced with the prospect of infirmity, illness, dependence, loss of loved ones, helplessness and ultimately death. There may be an emergence, reemergence, intensification and/or transformation of Holocaust memory and symptoms as the sands of time in the hourglass of life are running out. This phenomenon appears to be on a continuum with the so-called deathbed confession and the doorknob phenomenon at the end of a therapy session. The extent to which Holocaust trauma is integrated as opposed to being walled off through repression or dissociation also influences this "hourglass effect." Findings will be presented from the clinical situation, a semi-structured interviewing project with child survivors, survivors' testimony, accounts in the literature and personal relationships.
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