Notes

EL MENU REVIEW: TASTING one of the best films OF THE YEAR
When objectivity refers to the nature of the majority of people, we are able to say that when a large audience yawns it is because the film is objectively boring. This is the case with The Menu, which, even though it has a prestigious cast, ends up being lost in a plan that is as absurd as it is insubstantial.

Produced by Mark Mylod, the film is a dark comedy with critique of high culture or rather its culinary aspects. However, what is supposed to be a fervent critic, ends up being a contrived trifle, a weak film that dresses up to look stylish. The sociological and political dimension is conspicuous by its absence. There is nothing more than unfounded prejudices and boasting about junk food.

The menu is designed to exalt tastes that don't differentiate the palette from cooked ham. In this effort to become popular and be a part of the masses and their most unhealthful food habits of the day, it remains as a film without lucidity to elaborate a more powerful observation, or at the very least with an opinion.


Without a clear goal, the film dies in its bitter ambition to be pretentious superiority. There is only a couple of more or less successful scenes, with a tone of mystery and humor that adds a sense of interest.

When objectivity refers to the subjectivity of the majority, we are able to say that when a whole room shrugs, it's because the movie is objectively boring. That happens with The Menu, which, although it boasts a high-end cast, ends up being lost in a plan that is as absurd as it is depressing.

Directed by Mark Mylod, the film tries to be an black comedy that includes criticism of high-culture, or more precisely its culinary element. But what is supposed to be a fierce critic ends up being a contrived trifle, a weak film dressed to appear stylish. The sociological and political aspect is conspicuous because it is absent, and there is nothing more than prejudices that are unfounded and a false praise of junk food.

The menu is designed to exalt tastes that don't differentiate the palette from cooked ham. While trying to become popular and join with people of all ages and their unhealthy food habits of the day It remains an uninformed movie that is unable to elaborate a more powerful observation, or at the very least that has some point to make.

Not having a clear purpose it dies in its bitter ambition to be pretentious superiority. There is little more than a couple of more or less effective scenes, and a tone of humor and intrigue that gives it relative interest.

The menu tells the story of a couple, Tyler (Nicholas Hoult) and Margot (Anya Taylor-Joy) who set off on an island (Hawthorn) to enjoy a unique culinary experience, in a restaurant commanded by a strange chef (Ralph Fiennes). .

The other guests visit the place, selected exclusively to dine at the unusual and costly restaurant accessible through one door and whose minimalist interior you can see the waiters and chefs performing their duties with an attention to detail that frightens.


The strange thing is the things that are not right or is put in a place that isn't. The location of a restaurant located on an isolated island is a rarity in and of itself as is the menu that includes tiny starter dishes with gelatinous tablets which concentrate all the maritime flavors.

But, the sense of suspense and mystery disappears as the film progresses, not being aware of how to resolve the conflict in the plot, or how to close it, or even how to keep on delivering thrilling moments. When we realize that underneath the mechanism there is nothing more than that and that its few staging concepts are rapidly exhausting, the story is lost.

The menu is proud of the simple in a ridiculous defense of the fame that is lost in the midst of dialogues and characters that don't contribute to.

The premiere of the week is a strong contender for one of the best films of the year. The Menu, an Adam McCay production, The Menu with Ralph Fiennes Anya Taylor-Joy, Ralph Fiennes along with Nicholas Hoult, is the entertaining analysis of a world absorbed in presumptions, aspirational (how did he say) to belong to a wealthy materialistic, cold elite .

With thriller elements, witty dialogues and a strong discourse about frivolity, the movie may be an amalgamation of ideas that have already been seen but that work flawlessly by allowing people to mock their own vices.

Tyler is a gourmet enthusiast (or foodie, a term that was coined by the chaviza) is the one who takes Margot on a bizarre date: a dinner at the prestigious Hawthorne restaurant, located on an island that is remote. There The Menu Review are received by a dining experience that will inevitably end in the death of all.


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