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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://e.snmc.io/i/300/s/9abd8ec0d4b9f366c78eec1ac447f216/8247337" alt="The Forest (Ambient Worlds Mix) - Seth Osburn - Shazam"><span style="display:none" itemprop="caption">Ambient Worlds - Album by Jordan Jessep - Spotify</span>
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<h1 style="clear:both" id="content-section-0">The Only Guide to Ambience, The hobbit, Music - Ambient Worlds - Pinterest<br></h1>
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<p class="p__0">History [edit] Origins [modify] Erik Satie is acknowledged as a crucial precursor to contemporary ambient music and an impact on Brian Eno. As an early 20th-century French composer, Erik Satie used such Dadaist-inspired expeditions to produce an early kind of ambient/background music that he identified "furnishings music" (Musique d'ameublement). This he explained as being the sort of music that might be played during a supper to produce a background atmosphere for that activity, instead of working as the focus of attention.</p>
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<p class="p__1">I think about it as melodious, softening the noises of the knives and forks at dinner, not dominating them, not enforcing itself. It would fill those heavy silences that sometime fall between friends dining together. It would spare them the problem of taking notice of their own banal remarks.</p>
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<img width="359" src="https://arts.calmradio.com/fapi/000/000/000/000/000/558/CalmingCassical-Landscape.jpeg">
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<p class="p__2">To make such music would be to react to a requirement." In 1948, French composer & engineer, Pierre Schaeffer created the term musique concrte. This experimental design of music used recordings of natural noises that were then customized, controlled or effected to develop a structure. Additional Info of using tape loops and splicing are considered to be the precursor to modern tasting.</p>
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<p class="p__3">The piece is intended to catch the ambient sounds of the venue/location of the performance and have that be the music played. Cage has been cited by influential artists such as Brian Eno as impact. In the 1960s, lots of music groups try out unusual techniques, with a few of them developing what would later on be called ambient music.</p>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://is2-ssl.mzstatic.com/image/thumb/Music123/v4/19/64/b6/1964b686-4df2-3478-51d5-6b7379bb6436/195079410864.jpg/1200x1200bf-60.jpg" alt="Ambient Worlds - YouTube"><span style="display:none" itemprop="caption">Bela D Media Sampled Landscape</span>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://img.discogs.com/Wly2SheHg2B2zBNtKx2FLt1M9d8=/fit-in/300x300/filters:strip_icc():format(jpeg):mode_rgb():quality(40)/discogs-images/L-719866-1408526219-2037.jpeg.jpg" alt="Harry Potter Music & Ambience - Magical Sunrise at Hogwarts - YouTube"><span style="display:none" itemprop="caption">Hugo Swart (Qualcomm Technologies): The Making of an Ambient World: T…</span>
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<h1 style="clear:both" id="content-section-1">Tracks by Ambient Worlds - SoundCloud Can Be Fun For Anyone<br></h1>
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<p class="p__4">Other composers working with tape recorders ended up being members and partners consisting of Pauline Oliveros, Terry Riley and Steve Reich. Their compositions, amongst others, contributed to the advancement of minimal music (also called minimalism), which shares many similar ideas to ambient music such as repetitive patterns or pulses, steady drones, and consonant harmony.</p>
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<p class="p__5">Some 1960s records with ambient elements consist of and by Tony Scott, by Raymond Scott, and the very first record of the by Irv Teibel. In the late 60s, French author liane Radigue composed a number of pieces by processing tape loops from the feedback between 2 tape recorders and a microphone. In the 70s, she then went on to compose comparable music nearly specifically with an ARP 2500 synthesiser, and her long, slow compositions have actually typically been compared to drone music.</p>
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