Notes

Rumored Buzz on Renaissance Tarot Book: A Guide to the book by Brian


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<p class="p__0">Wirsching holds a Ph. D from UCLA, and she did her doctoral research on the crossway of occultism with 19th-century American literature. She is an expert in the material from which the deck draws motivation, and it is perfectly clear how much thought has gone into the style of the deck.</p>
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<p class="p__1">Each card in the Major Arcana illustrates a particular figure or minute from American literary history. Wirsching has worked to layer the styles in the deck, so that each card not just portrays someone thematically relevant, but likewise depicts a temporal sequence in the history of the accumulation to (and ultimate fighting of) the Civil War.</p>
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<p class="p__2">The Devil portrays Josiah C. Nott, the author of the racist tome Kinds of Mankind, stylized as a vulture to represent racism as a whole in American society. The Tower reveals the start of the Civil War, and Judgment shows completion of that war and the Emancipation Proclamation. The Ace of Swords, 2 of Swords, and 6 of Swords.</p>
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<p class="p__3">The Swords are all stories by Edgar Allan Poe. Above, we have "The Raven," "Ulalume," and "MS. tarotfans in a Bottle." The Wands are Herman Melville, and the Coins are Frederick Douglass. The Cups are split, consisting of some narratives by Nathaniel Hawthorne and some by Harriet Beecher Stowe. The Five of Cups, Seven of Cups, and Nine of Cups.</p>
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<p class="p__4">In the companion book, Wirsching notes that the deck includes narratives by former enslaved individuals (like Douglass), but likewise consists of the voices of well-meaning however nevertheless racist white abolitionists, who were by no methods immune to the predispositions of their society (like Stowe). Instead of get rid of the latter from the deck, Wirsching includes them alongside the other voices, in order to present a full picture of what this period was likewarts and all.</p>
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<p class="p__5">She doesn't simply divide 19th-century America into north and south and say that the south was racist while the north was not; she acknowledges how bigotry pervaded American society, and how northerners and even white abolitionists however took part in that racism. What's more, she reveals that racism was not a single, monolithic thing; many individuals combated versus racism in one method, however were complicit in it another method, and Wirsching works really tough to reveal just how unpleasant the truths of race were in nineteenth-century literature.</p>
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