The 25-Second Trick For Original Art Illustration (undated)Josep Gual is - Lot #16735

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<h1 style="clear:both" id="content-section-0">The 25-Second Trick For Original Art Illustration (undated)Josep Gual is - Lot #16735<br></h1>
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<p class="p__0">He was not your normal publisher, either Josep Maria Berenguer was born in Barcelona in 1944. He was the son of a conventional bourgeois household, as the majority of the Catalan publishers are Barcelona has actually for years been the Spanish town with the strongest customs in literature and comics publishing. What probably made the difference with Josep Maria was his thirst to discover he studied art, and from an extremely young age he travelled a lot during a time (under Franco's dictatorship) when Spanish citizens were seldom able to travel or motivated to learn foreign languages, even if they originated from rich households.</p>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://cloud10.todocoleccion.online/art-comic/tc/2017/08/07/13/95047091_23_34.jpg" alt="File:Josep María BlancoBarcelona Comic Con 2017.jpg - Wikimedia Commons"><span style="display:none" itemprop="caption">File:Josep María BlancoBarcelona Comic Con 2017.jpg - Wikimedia Commons</span>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://i.ibb.co/mCTw5hD/059-Maestro-del-Terror-comic-josep-busquet-manuel-vidal-1280x706.jpg" alt="George &amp; Lynne 22 by Josep Gual at the Illustration Art Gallery"><span style="display:none" itemprop="caption">Deadman #3 Value - GoCollect</span>
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<p class="p__1">and France and experimented with painting, photography and architecture, with an unique focus on "geodesic domes." In the '70s he resided in a wonderful house in the suburban areas of Barcelona, called La Cpula ("The Dome"). This would likewise end up being the name of his releasing business. Josep Maria connected with lots of young Spanish artists at the time over democratic (and, in some methods, hippie-anarchist) concepts and a not-so-controlled methods comics to express their aggravations and lust for freedom.</p>
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<p class="p__2">El Vbora was born. This underground comics publication (subtitled as "Comix for Survivors") started in 1979, with Berenguer getting financial assistance and expertise assistance by another veteran Catalan comics publisher the charismatic Josep Toutain (founder of the global Catalan Communications company). The personnel of young artists curated every concern by basic agreement throughout now-mythical editorial conferences at Berenguer's La Cpula home.</p>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://2.bp.blogspot.com/-S9YvVASnTWI/WY4Qz_RHp7I/AAAAAAAACN4/e1fMnjvxSjIef2gMCoOUp66Yv-Jil4jwwCLcBGAs/s1600/wildcat9c_20170811_0001.jpg" alt="JOSEP (2020, SIMBOL) - Ficha de número en Tebeosfera"><span style="display:none" itemprop="caption">Zipi y Zape: el tonel del tiempo by Josep Escobar</span>
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<p class="p__3">There were no limitations, even if censorship was still in location in Spain in reality, the initial title Berenguer wanted for the magazine was GOMA 3 (the name of the particular explosive used in those times by the basque terrorist/nationalist company ETA), but the censors refused to enable it. El Vbora was an instant success; it quickly reached 40,000 copies sold monthly.</p>
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<h1 style="clear:both" id="content-section-1">The Best Strategy To Use For Josep Nebot Comic book catalogue - LastDodo<br></h1>
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<p class="p__4">During the early '80s, it became a vindication of reality over business comics Berenguer, like Gary Groth, didn't like category comics, even if in Spain there were few superheroes. But in Spain the medium itself was thought about banal, something for kids that's why El Vbora's impact was so strong. 出包王女H漫画 with his publication was to reflect Spanish truth or, a minimum of, spoof it.</p>
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<img width="498" src="https://www.frankenradar.de/files/event_bilder/83230/25.jpg">
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