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Arzu Aliyeva: How do you create the top documentary movies?

When cinema students learn to create a documentary they're not taught about the perplexing logistical aspect. Arzu Aliyeva We have asked Azerbaijani filmmaker, Arzu Aliyeva, a few questions to get more information about it. Aliyeva is a well-known director and documentary producer who has encountered numerous logistical hurdles during her projects. Aliyeva was behind the camera for productions like "Son Iclas" or "Objective: Baku". The Nazis' War on Oil

This article will examine and deconstruct the various "behind the scenes" aspects of documentary filmmaking.

The phases of documentary production
Filmmaking is unlike other analytical fields like accounting, does not have any "fixed" process. Arzu Aliyeva asserts that every step of a documentary's production are governed by their vision. She claims that no documentary is the same as its predecessor, just as snowflakes.

However, productions always begin with "preproduction." This simply means that the filmmaker must have a good idea of what their film will look like prior to when the camera is able to begin rolling.

After you've realized what your movie is about and what it's about, you need to plan it accordingly. Aliyeva states that planning is a small term, but it has a lot of significance. It means building your budget, setting up shooting lists, interview outline and calculating the budget, and establishing your schedule. Before you start your camera, all of this must be completed .

After you've reached your production stage , now it is time to put all your preparation into practice. Aliyeva reminds us that film productions can be unpredictable. You'll be able to plan more effectively than lawyers for the possibility of a class action lawsuit however, things may change in the real world. Aliyeva emphasizes the importance of following the direction of your movie and not arguing against it.

It's now time to go through the post-production phase. After all the content has been shot, it is time to consider what you want to keep. Aliyeva said that the majority of the footage would end up within the editing area.

Did you finish your movie? Great! It is now time to expose it to the world. Arzu Aliyeva Arzu Aliyeva says that distribution is not something filmmakers learn. If they're not epics with large budgets, documentary films don't get as much attention. It is possible to promote them on the web or with large companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that all things begin by using a camera once she is asked. Two essential elements are needed for any documentary, regardless of size and the budget. The film has to be seen and heard. That means you'll need the most effective camera and audio aids so people can hear what you've shown.

After you've decided, you can find various other equipment that can aid you in conveying your message. https://www.crunchbase.com/person/arzu-aliyeva It's all dependent on the type of documentary you're creating. If you are making a documentary purely from interviews or archives, it will be advantageous to have an excellent lighting. If you're making a movie that has a lot of outdoor shooting, you should invest in an audio stabilization device and camera. equipment.

Aliyeva explained that each project is different and equipment can be utilized interchangeably. The process of pre-production cannot be completed without thinking about equipment.

What is the time to produce a documentary?

Arzu Aliyeva According to Arzu Aliyeva, the duration of your project is something that is never set in the ground. Many projects take a few months or even a few years. Aliyeva says it's focused on the subject matter and your interest. Documentaries often deal with important social issues . The film will help you track their progress. A filmmaker can go into an undertaking thinking that it will take months, but the reality could quickly turn into a couple of years.

Another aspect that could cut or lengthen the length of your movie is your budget. Unexpected changes to your budget may happen during pre-production and production. Aliyeva breaks it down into two main scenarios.

The less likely choice. You probably ate too excessively and spent too little money on production in the beginning stages. So, you'll have only a small amount of money to fund the rest of your movie. Aliyeva says this can be a lesson in finding out the best way to keep your film alive with almost no money.
The less probable one: According to Aliyeva this scenario is only feasible for those filmmakers who are fortunate. These are the locations where large companies and producers learn about your project and decide whether to fund it in the future. This can give a massive boost to your efforts and provide you with options you've never considered.
What does it cost for Aliyeva's documentary?
As with the other aspects discussed in the article, the price of your movie is also extremely project-dependent. Arzu Aliyeva suggests to anyone who is requesting advice to be cautious about budget planning. It is essential to understand your goals in each phase of your film. Arzu Aliyeva The length of your film and how big it is will ultimately determine the expense of the film.

A film that is based on stories and testimonials doesn't require a large budget. The cost of a film is determined by the size of the film. The cost of many films will be determined by locations, production values, and the overall budget for the film's featurettes.

Aliyeva says sometimes, the cost defines your vision. It is important to ensure that your vision outweighs your costs.
Website: https://www.youtube.com/watch?v=BoDneqNFm1c