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Arzu Aliyeva: How do you make the best documentary film?

Cinema students are taught how to make a documentary film They are not taught about the terrifying logistical aspects. We have asked Azerbaijani filmmaker Arzu Aliyeva a few questions to get more information about it. Aliyeva is well-known documentary producer and director, has faced many logistical challenges in her films. Aliyeva was behind the camera in films like "Son Iclas" or "Objective: Baku". The Nazis' War on Oil

This article will analyze and dissect the different "behind the scenes" aspects of documentary filmmaking.

The steps of document production
In contrast to accounting and other analytical professions, filmmaking doesn't have an "fixed procedure." Arzu Aliyeva says that the stages of a documentarian's production are based on their vision as director. She claims that no documentary is exactly the same as its predecessor, much like snowflakes.

But, all productions begin with "preproduction." It simply means that the filmmaker must have a solid idea of what their film will look like prior to when the camera starts rolling.

Once you have a clear grasp of the story of the film, it's time to plan it. Aliyeva says planning is a word that's simple but has a deep meaning. Planning is planning, scheduling the budget, interview outline creating your schedule and setting up shots lists. https://www.azerbaycan24.com/en/haber-global-prepares-footage-about-awarding-prize-to-arzu-aliyeva-at-international-festival-video/ All of that should be set and done before you even start.before the camera is turned on.

When you've reached the production stage , now it is time to put all your preparation into practice. Aliyeva reminds us that an important rule of thumb in film productions is that "Nothing happens as scheduled." You could have done better than a lawyer before a class action case but things can swiftly alter in the course of your work. Aliyeva explains that it's crucial to work with your movie rather than against it.

After the production has been completed then it's time to get to the Post-production process. Once you've finished shooting all of the footage, it's time to decide which ones are worth saving. Aliyeva says the majority of the content will be stored on the floor of her editing space.

Did you finish your movie? Great! Now is the time to make it accessible to the general public. Arzu Aliyeva said that filmmakers rarely learn how to distribute. https://dbpedia.org/page/Arzu_Aliyeva If they're not epics with massive budgets, documentary movies don't get as much attention. It's possible to advertise it online or work with large firms.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously claims that everything begins with cameras. Two significant elements are required in any documentary regardless of the size or budget. The film needs to be seen and heard. This means you'll need the most effective audio equipment and camera so people can hear what you have just shown.

After you have that done, there's plenty of equipment for filmmaking that can help you with your task of communicating your message. Arzu Aliyeva This will depend on the kind of documentary you're creating. A reliable lighting system is essential for creating a documentary based only on archive footage or interviews. It is recommended that you invest in a camera as well as audio stability systems when you intend to make a movie with a lot of outdoor photographs.

Aliyeva states that everything is personal and may be exchanged according to the nature of project. Equipment is an essential part of your budget in the stage prior to production.

What is the average time to produce a documentary?

Arzu Aliyeva claims that there isn't any set length for a project. Some projects may take several months, while others may take many years. Aliyeva claims that it is focused on the subject and your passion for it. Since Documentaries typically deal with important social issues, the movie is able to follow them as they unfold in the real world. Filmmakers can enter an undertaking thinking that it will take him several months, but reality can swiftly make it a few years.

Another aspect that could shorten or lengthen your movie is the budget. Unexpected changes may occur to your budget when you are in the production or pre-production stages. Aliyeva breaks the situation down into two primary scenarios.

The most likely:you likely ate more than you could chew and spent too much money during the early stages of making. You'll be left with very only a small amount of money to invest in the remainder of your film. Aliyeva believes that this could be a learning experience for you regarding how you can keep your movie alive , even with the smallest amount of money.
The less likely one:The less likely scenario can happen only to filmmakers with the most luck, according to Aliyeva. It is also where large corporations and producers learn about your idea and decide to fund your movie in the future. This could provide a significant boost to your project and offer you opportunities you've never considered.
Aliyeva wonders what it will cost to create a documentary.
https://president.az/en/articles/view/6296 Along with the other factors discussed in the article, the price of your film can be extremely project-dependent. Arzu Aliyeva encourages everyone who wants to know her advice to be mindful when it comes to budgeting. It is important to know exactly what you want to accomplish at each movie stage. Your film's length and its size will determine the amount it will cost.

If you're making a film that is based on stories and testimonials it's not a requirement for a huge budget. The price of a movie is determined by its size. Arzu Aliyeva The costs of many films are determined by location numbers along with the production cost and the general investment in the feature.

https://president.az/en/articles/view/6296 Aliyeva believes that vision is usually defined by price. Make sure your vision is worthy of the expense.
Read More: https://dbpedia.org/page/Arzu_Aliyeva