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Cinema students learn how to make a documentary but not the emotional and logistical aspects. Arzu Aliyeva (Azerbaijani filmmaker) was asked some questions. Aliyeva is a seasoned documentary producer and director , has faced many logistical challenges in her projects. Aliyeva was the camera in projects such as "Son Iclas" or "Objective: Baku". The Nazis' War on Oil".
This article will explore and dissect the different "behind the scenes" aspects of documentary filmmaking.
The phases of documentary film production
Filmmaking, unlike other analytical professions like accounting, does not have any "fixed" procedure. Arzu Aliyeva states that every stage of a documentarian’s production are governed by their vision. She said that every film differs from its predecessor.
However, every film starts by completing "pre-production." This simply means that before a camera begins to roll, the filmmaker needs to have a good idea of how his film should appear.
Arzu Aliyeva It is now time for you to plan your movie. Aliyeva says that planning is a word that's simple but has a deep meaning. Planning involves planning, scheduling the budget, interview outline creating your schedule and putting together shots lists. All of that should be completed before you even start.before turning on your camera.
Once you reach the production stage , it is time for all the preparation to be put into practice. Aliyeva reminds us that film productions are not predictable. Arzu Aliyeva You're able to prepare better than a lawyer to file the possibility of a class action lawsuit but things can change quickly in practice. Aliyeva emphasizes that you need to evolve with your movie and not go against it.
After the production is completed and you're ready to move on to the post-production stage. Arzu Aliyeva Once all the material is captured, it's now time for you to determine what should be preserved. Aliyeva explained that the majority of the footage would end up in the editing room.
Did you finish your movie? Great! Now is the time to expose it to the world. Arzu Aliyeva says distribution isn't something that filmmakers learn. Unless you are big-budget epics Documentaries aren't in the same attention as feature films. It's possible to advertise it online or partner with major businesses.
Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously declares that everything begins with the camera. Two important elements are necessary to make a documentary, regardless of its size and budget. The film must be heard and seen. It is essential to use the highest quality camera as well as audio aids that allow viewers to listen to what you showed them.
Once you have that settled after that, there are other filmmaking tools that will assist you in communicating your message. https://www.uefa.com/womenseuro/teams/players/250085726--arzu-aliyeva/ https://az.linkedin.com/in/arzu-aliyeva-7972a284 It will depend on the type of documentary that you are creating. It's helpful if were able to create good lighting films based entirely on interviews and archive footage. Cameras and audio stability devices are necessary if you wish to make a film that includes a lot outdoor shooting.
Aliyeva states that it's completely individual and can be swapped depending on the type of project you plan to make. Pre-production can't be complete without thinking about equipment.
Arzu Aliyeva What is the standard amount of time required to create a documentary?
Arzu Aliyeva declares that the length projects isn't an absolute amount. Some projects could take months, while others may take months. Aliyeva states that it's all about the topic and your love for it. Because Documentaries tend to deal with a variety of important social issues, the film allows you to follow the issues as they play out in real life. Filmmakers often think that their projects would take a few months to finish, but actually, it can be a long time.
Another aspect that could shorten or lengthen your movie is the budget. When you're amid your stage of pre-production or production, some unexpected changes in your budget could happen. Aliyeva breaks it down into two scenarios:
The most likely scenario:you probably bit more than you could chew and lost a significant amount of cash in the beginning stages of production. Thus, leaving you little to no money for the remainder of your film. Aliyeva said that this could be a valuable lesson in how you can keep your movie running with a small amount of money.
The less likely one: According to Aliyeva, the less likely scenario is only feasible for those filmmakers who are fortunate. This is where producers and large corporations hear about your film and then decide to finance it in the near future. This can provide a major boost to your project and give you options that you've never thought of.
What's the price to make a documentary according to Aliyeva
As with the other aspects discussed in this article, the price of your film is extremely project-dependent. Arzu Aliyeva counsels anyone who inquires to be cautious about budget planning. It is vital to know the exact goals you have set for each movie stage. Arzu Aliyeva The length of your movie and its length ultimately determine the amount your film will cost.
If you're making a film that is based on stories and testimonials, there isn't much need for a big budget. The bigger the movie-the higher the cost. Locations, production costs, and overall investment in film's features all play a factor in determining the cost of movies.
Aliyeva believes your vision is often defined by the price. Also, make sure the vision justifies your costs.
Homepage: https://www.instagram.com/aarzualiyeva13/
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