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Arzu Aliyeva: How do you make the most effective documentary film?

The gruelling logistical aspects of making a documentary film is rarely discussed by film students. We've asked Azerbaijani filmmaker, Arzu Aliyeva a few questions to find out more about. Aliyeva is a seasoned documentary producer and director , has had to overcome many logistical obstacles in her work. Aliyeva worked behind the camera in projects like "Son Iclas" or "Objective: Baku". The Nazis' War on Oil

This article will explore and analyze the "behind-the scenes" aspects of documentary filmmaking.

The phases of documentary production
In contrast to accounting and other analytical fields, filmmaking isn't any "fixed process." Arzu Aliyeva says that the phases of a documentary's production follow their own vision as director. Arzu Aliyeva She claims that no film is identical to its predecessor. It's just like snowflakes.

However the production process begins by "pre-production." This implies that the director must have a good idea about how his film should appear.

When you've identified what your movie is about It's time to plan it accordingly. Aliyeva says that planning is a word that's simple but has a significant meaning. It involves scheduling, planning the budget, interview outline, building your schedule, and setting up shots lists. All of this has to be completed prior to turning to the camera.

When you are at the production stage , it is time for all your preparation to be put into use. Aliyeva reminds that in movie productions, "Nothing ever goes according to schedule." Although you may prepare more than a lawyer for the event of a class-action lawsuit but things may change quickly in actual practice. Aliyeva stresses the importance moving with your movie and not fighting it.

It's time to move on to the post-production stage. https://www.opensanctions.org/entities/Q23683242/ After all the content is shot, it is time to consider the things that should be kept. Aliyeva says that the bulk of the film will be stored on the floor of her editing room.

Did you finish your movie? Great! Now is the time to make it accessible to the public. Arzu Aliyeva said that distribution isn't something that filmmakers are taught. Documentaries don't have the same popularity as feature films unless they're epics with big budgets. It is possible to promote them on the web or with large firms.

Arzu Aliyeva's most Essential Equipment in a documentary
When Asked, Aliyeva jokingly claims that everything begins with a camera. Whatever the size or budget documentary productions need two important components. The film should be seen and the audience must hear it. You must have the most powerful camera you can as well as audio aids that enable people to listen to what you shown them.

Once you've settled that then, you'll need many more tools to aid in delivering your message. It will depend on the type of documentary you're creating. If you are making the documentary solely from interviews or archive footage, it'd be advantageous to have an excellent lighting. If you're creating a film that includes a large number of outdoor shooting, you need to invest in cameras and audio stability equipment.

Aliyeva said that every project is unique , and the equipment can be used interchangeably. The thought of equipment is an essential aspect of the budget division during your pre-production phase.

How long does it take to create a documentary?

According to Arzu Aliyeva, length of your project is something that isn't set in stone. Certain projects can take months, while others could take years. Aliyeva says that it's focused on the subject matter and your enthusiasm. Arzu Aliyeva Because Documentaries often deal with significant social issues, the movie is able to follow these issues as they unfold in the real world. Arzu Aliyeva https://www.crunchbase.com/person/arzu-aliyeva It is common for a filmmaker to believe that a project can take several months. But, the reality can rapidly make it take a few years.

The budget can also influence the length or duration of your film will run. Unexpected changes could occur in your budget when you are in the production or pre-production phases. Aliyeva breaks it down into two main scenarios.

The less likely version. You probably ate too excessively and spent too little money on production in the early stages. There will be little or no cash left to cover the remainder. Aliyeva believes this can be a great learning opportunity for you regarding how you can keep your film running even when you have just a little cash.
The less likely This scenario is for filmmakers who are fortunate enough to to realize their dream as Aliyeva suggests. This is where producers and big companies hear about your work and then decide to finance it in the near future. This can boost your efforts and open up doors you never imagined.
How much will it cost you for Aliyeva's documentary?
Like the other elements discussed in this article, the price of your film is very project-dependent. Arzu Aliyeva is adamant to anyone that asks her to be extremely prudent when planning the budget. It is important to understand the goals you want to achieve at each stage of the movie production process. Your film's length and the size of it will decide how much it will cost.

If you make a movie focused on testimonials and stories it's not a need for a large budget. The bigger the film, the more the cost. The price of many movies is ultimately determined by locations numbers, production value and the total expenditure on the film's main features.

Aliyeva says that often the cost defines your goals. It is important to ensure that your vision outweighs your costs.
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