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Arzu Aliyeva: How to make the best documentary

When cinema students learn to make a documentary film, they are rarely taught about the terrifying logistical aspect. Arzu Aliyeva (Azerbaijani filmmaker) was asked some questions. Aliyeva is an established documentary producer and director has encountered many logistical obstacles in her work. Aliyeva sat behind the director's chair for productions such as Son Iclas" and "Objective: Baku. The Nazis' War on Oil

This article will explore and analyze the various "behind the scenes" aspects of documentary filmmaking.

The film production process
Unlike accounting or other analytical professions, filmmaking doesn't have the same "fixed procedure." Arzu Aliyeva claims that all the elements of a documentarian's work are based on their vision as a director. She says that no film is identical to its predecessor, just as snowflakes.

However, every production starts with "pre-production." That simply implies that the director must have an concept of how his film should appear.

Once you have a clear grasp of the story of your film, it's now time to organize it. Aliyeva says that"planning" is a very small term, but it has a lot of significance. It includes planning your budget, creating shot lists, interview outlines planning, budgeting, and scheduling. Arzu Aliyeva Before you start your camera, this should be done .

Once you've reached the stage of production , it's time to put your preparation into action. Aliyeva reminds us that movie productions are unpredictable. It is possible to prepare more effectively than lawyers to file an action in a class, however, things may change when you're in the field. Aliyeva emphasizes the importance of moving along with the film and not arguing against it.

After production is finished, it is time to get to the Post-production process. After you have finished shooting all of the footage, it's time to decide what's important to save. http://rltradingspot.com/members/arzu-aliyevazfrm178/activity/35828/ Aliyeva says most of it will remain on the floor of the editing room.

Did you finish your movie? Great! It is now time to show it to the world. Arzu Aliyeva states that filmmakers don't always know how to distribute. Documentaries don't enjoy the same appeal as feature films unless they're epics with big budgets. Arzu Aliyeva You could promote it online or approach the major companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva is jolly when asked if all things begin with a camcorder. Whatever the size or budget documentary productions need two essential components. The film needs to be heard and seen. You must have the best camera possible as well as audio aids that allow people to hear what you just presented to them.

After that Once that is settled, there are numerous other tools to assist in communicating your message. This, naturally, depends on the kind of documentary you are making. A reliable lighting system is crucial when making a documentary that relies entirely on archive footage and interviews. A camera and audio stability device are vital if you plan to make a film which includes lots of outdoor shooting.

Aliyeva states that everything is personal and can be changed in accordance with the type of project. The thought of equipment is a critical part of the budget division during your pre-production phase.

Arzu Aliyeva What is the time to produce a documentary?

Arzu Aliyeva claims that there isn't a set length for a particular project. Certain projects can take months while other projects can last months. Aliyeva claims that it is all about the topic and your interest in it. Because documentaries usually deal on important social issues they are able to follow the events as they develop in real time. A filmmaker may enter the project believing it will take him several months, but reality can swiftly extend the time to several years.

Another thing that can either cut or lengthen the length of your movie is the budget. Unexpected changes to your budget may occur during pre-production and production. Aliyeva breaks it down into two scenarios:

The most likely:you probably ate more than you can chew and paid too much for the initial stages of production. The film will likely have less or no money left over to cover the remainder. Aliyeva says this can be a lesson in finding out how to maintain your film without spending a dime.
The least likely: This scenario is intended for filmmakers lucky enough to be able to make it happen Aliyeva says. That is where big companies and producers discover your project and decide to help fund your project in the near future. It could be a significant boost to your efforts and offer you opportunities you may not have dreamed of.
Aliyeva wonders what it would cost to produce documentary.
As with the other aspects discussed in the article, the price of your movie is also very project-dependent. Arzu Aliyeva advises anyone who has asked her to be cautious when it comes to budgeting. It is essential to know precisely what you are looking for in every movie stage. The length of your film and how big it is will ultimately determine the cost of your film.

Arzu Aliyeva If you create a film centered around stories and testimonials, there isn't much need for a large budget. The larger the film, the higher the cost. Production values, location numbers, and overall investment in film's special features all play an important part in determining the price of movies.

Aliyeva says that in some cases the cost of your vision can be as important as the vision itself. Also, make sure the vision is able to justify your expenses.
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