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Arzu Aliyeva: How do you create the most effective documentaries?

The gruelling logistical aspects of making a documentary film is not often addressed by students of cinema. Arzu Aliyeva (Azerbaijani filmmaker) was asked questions. Aliyeva is a well-known filmmaker and documentary producer who has faced numerous logistical hurdles in her work. Aliyeva was behind the production of films like "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will examine and analyze the "behind-the scenes" aspects of documentary filmmaking.

The stages of documentary film production
Filmmaking isn't like other areas of analysis like accounting or finance. Arzu Aliyeva asserts that every stage of a documentary's production follows their concept which they've set out as director. Arzu Aliyeva https://en.everybodywiki.com/Arzu_Aliyeva She claims that no documentary is the same as its predecessor, similar to snowflakes.

Every production begins by completing "pre-production." It simply means that , before the camera is able to begin filming the director must have a good idea of how the film is going to look.

If you've a clear grasp of the story of your movie, it's time to create a plan. Planning is, naturally, a small word with a significant meaning behind it, Says Aliyeva. This includes planning your budget, making list of shots, outline for interviews as well as budgeting and scheduling. Before turning on your camera, everything must be completed .

Once you reach the production stage , it is time for all your preparation to put into action. Aliyeva reminds that in movie productions, "Nothing ever goes according to plan." Even though you're able to prepare more than a lawyer in an action case but things may change quickly in practice. Aliyeva says that you need to adapt with your film and not go against it.

Once production is complete, it's time to begin the post-production stage. When you've completed shooting every single piece of footage It's time to determine what is worth saving. Aliyeva says most of it is left on the floor of the editing area.

Did you finish your movie? Great! Now it is time to present it to people. Arzu Aliyeva According to Arzu Aliyeva, Distribution isn't taught to filmmakers in the same way. If they're not epics with large budgets, documentary films don't have as much demand. It can be promoted on the web or try your luck at the major companies.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked about it, Aliyeva laughs and claims that everything begins with a camera. Two important elements are necessary in any documentary regardless of the size or budget. Arzu Aliyeva The film needs to be heard and seen. You should have the most powerful camera you can and audio aids that enable people to be able to hear what you shown them.

After you have that set, there's a lot more equipment to help you in transmitting your message. It will all depend on the kind of documentary you're creating. A quality lighting system is vital when creating a documentary based solely on archive footage and interviews. Cameras and audio stability device are vital if you plan to create a documentary that has a lot of outdoors shooting.

Aliyeva says that everything is personal and can be swapped according to the nature of project. Equipment is a significant part of your budget in the pre-production phase.

Arzu Aliyeva How Much Time Does It Take to Create a Documentary?

Arzu Aliyeva Arzu Aliyeva claims that there is no set duration for a project. http://www.bakuchessolympiad.com/news/11/178 Projects can take from months to complete, and even years. Aliyeva says that it's all about the subject and your love for it. Because documentaries usually deal with social issues that are important and issues, the film is able to follow the events when they take place in reality. It is possible for a filmmaker to think that the project will last several months. But, reality could quickly mean that it will take several years.

Another aspect that could cut or lengthen the length of your movie is your budget. If you're in the stages of production or pre-production, some unexpected changes in your budget could happen. Aliyeva breaks it down into two major situations.

The least likely option. Arzu Aliyeva You probably ate too much and spent too little funds on production in the early stages. This leaves you with only a small amount of money to fund the rest of your movie. Aliyeva suggests this could be a lesson in figuring out how you keep your film going even with a small amount of money.
The less likely This scenario is intended for filmmakers who are fortunate enough to be able to realize their dream, Aliyeva says. This is where producers and big companies hear about your film and decide to invest in it in the future. This can be a huge boost for your efforts as well as bring you opportunities that you may not have imagined.
What does it cost to produce Aliyeva's documentary?
Like the other elements discussed in the article, the cost of your movie is also dependent on the project. Arzu Aliyeva advises anyone who wants to know to be wary of budgeting. It is vital to know the exact goals you have set for each movie stage. The length of your film and its size ultimately decide the price your film will cost.

There is no need for a massive budget to make films about stories or testimonials. The bigger the movie-the higher the cost. The price of many films will ultimately be determined by the locations numbers, production value and the cost of the film's features.

Aliyeva believes that the vision you have is often defined by cost. Make sure the vision justifies your costs.
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