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Arzu Aliyeva: How do you make the most compelling documentary films?

Cinema students learn how to make a documentary film but they are not taught the emotional and logistical aspects. Arzu Aliyeva, an Azerbaijani filmmaker, posed us a few questions. Aliyeva is well-known filmmaker as well as documentary producer, who has faced numerous logistical difficulties in her work. Aliyeva has been behind scenes of documentaries like "Son Iclas" (and "Objective Baku). The Nazis' War on Oil".

This article will analyze and dissect the different "behind the scenes" aspects of documentary filmmaking.

The film production process
As opposed to accounting, or other similar fields, filmmaking isn't an "fixed process." Arzu Aliyeva claims that all the steps of a documentary's making unfold according to their vision as director. She states that no production is identical to its predecessor, much like snowflakes.

However the production process begins with "pre-production." That simply means that the director should have an idea of how the film should look.

Now it is time for you to plan your film. Planning is, of course tiny word with an important meaning, Says Aliyeva. This means establishing your budget, setting up shot lists, interview outlines and calculating the budget and creating your schedule. Before you turn on your camera, everything should be taken care of .

Once you've reached the stage of production , it is the time for all your planning to be put into practice. Aliyeva reminds us that an essential rule of film production is that "Nothing is ever as it was planned." It is possible that you prepared better than a lawyer for any class action, but everything can quickly alter in the course of your work. Aliyeva explains that you have to evolve with your movie and not try to rewrite it.

After the production has been completed and you are ready to get to the Post-production process. After all the footage has been shot, it is time to decide what you want to keep. Aliyeva states that most of it will remain on the floor of the editing area.

Did you finish your movie? Great! It is now time to show it to the world. Arzu Aliyeva says that distribution isn't something that filmmakers learn. Except for epics with big budgets, documentary films don't have as much demand. Arzu Aliyeva You can promote it on the internet or approach the big companies.

Arzu Aliyeva Arzu Aliyeva Arzu Aliyeva's most Essential Equipment in a documentary
When asked about it, Aliyeva laughs and declares that everything begins with cameras. Two important elements are necessary to make a documentary, regardless of the size or budget. The documentary must be seen and heard. That means getting the best camera available and having audio aids to aid people in listening to the content you've just presented to them.

Once you've made your decision you've made your decision, you can get various other equipment that can help you convey your message. https://news.az/index.php/news/arzu-aliyevas-documentary-to-be-shown-in-london-parliament That, of course, depends on what kind of documentary you're making. If you are making the documentary solely from interviews or archive footage, it will be advantageous to have a good lighting. You should invest in a camera , as and audio stability devices if you plan to make a movie with a lot of outdoor footage.

Aliyeva states that everything is very personal and can be exchanged in accordance with the type of project. It isn't complete without thinking about the equipment.

What is the longest time to create a documentary.

Arzu Aliyeva states that the duration of projects isn't the same as a set amount. Projects can take months to complete, and even years. Aliyeva claims it's all about the topic and your passion for it. Because Documentaries tend to deal with many important social issues, the movie manages to escort them as they unfold in real life. It is common for a filmmaker to think that a film will run many months. But, the reality can quickly make it take several years.

Another aspect that could make your movie shorter or longer is the budget. Unexpected changes could occur in your budget when you're in the production or pre-production stages. Aliyeva breaks the situation down into two primary situations.

The most likely:you likely ate more than you could chew , and invested too much in the beginning stages of production. That leaves you with only a small amount of money to fund the rest of your movie. Aliyeva stated that this could be a lesson in how you can keep your film running with a small amount of money.
The less likely one: According to Aliyeva the less likely scenario is only available to the most fortunate filmmakers. These are the areas where large companies and producers are able to learn about your project and decide whether or not to fund it in the future. Arzu Aliyeva This can help boost your efforts and open up opportunities you'd never dreamed of.
What's the price to make a documentary according to Aliyeva
Like the other elements discussed in the article, the price of your film is dependent on the project. Arzu Aliyeva advises anyone who asks her to be extra cautious when making budgets. It is vital to understand your goals in each phase of your film. The length of your film and its size ultimately decide the amount of your film's cost.

A film that is made from stories and testimonials isn't a big investment. The more expensive the movie is, the higher the cost. Production values, location numbers and the overall investment in film's features all play a role in setting the cost of films.

Aliyeva says that, in certain instances the price of your vision can be as important as the vision itself. Make sure that your vision is worth the price.
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