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Arzu Aliyeva: How do you create the most effective documentary films?

The terrifying logistical aspect of making a documentary is seldom covered by cinema students. Arzu Aliyeva (Azerbaijani filmmaker) was asked a few questions. Aliyeva is a seasoned documentary director and producer has had to overcome many logistical obstacles in her productions. Aliyeva sat behind the director's chair on productions such as Son Iclas" and "Objective: Baku. The Nazis' War on Oil

This article will analyze and break down the various "behind the scenes" aspects of documentary filmmaking.

The stages of documentary production
Filmmaking is not the same as other areas of analysis like accounting or finance. Arzu Aliyeva states that each stage of documentary production is based on their vision that they have set forth as director. She claims that no film can be identical to the previous one. It's just like snowflakes.

But, all productions begin with "preproduction." It means that the director must have a clear idea of what his film should look like before the camera can start rolling.

Once you've got an understanding of the story behind the film, you're ready to make plans. Aliyeva says that planning is a word that's simple but has a deep meaning. It is about establishing your budget, setting up shoot lists, interview outline as well as determining the budget, and building your schedule. Before you turn on your camera, all of this must be completed .

When you are at the production stage , it is time for your entire preparation to be put into practice. Aliyeva reminds you that in movie productions, "Nothing ever goes according to schedule." Although you may make more preparation than a lawyer for the event of a class-action lawsuit however, things could change drastically when you're actually doing it. Arzu Aliyeva Aliyeva emphasizes that you need to be flexible with your production and not try to rewrite it.

It's time to move on to the post-production phase. When you've completed shooting every single piece of footage and have decided which ones are worth saving. Aliyeva says that the bulk of the film will be stored on the floor of her editing room.

Did you finish your movie? Great! Now it is time to showcase it to people. Arzu Aliyeva says that filmmakers rarely learn how to distribute. Arzu Aliyeva If you're not big-budget epics documentary films don't have the same attention like feature films. It is possible to promote it online or try your luck with the big companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva is jolly when asked if the entire process begins with a camcorder. No matter the budget or size, documentary productions require two essential components. The film has to be seen and heard. It is essential to use the best camera available as well as audio aids that enable viewers to be able to hear what you shown them.

After that Once that is settled, there are numerous other filmmaking tools that can help you communicate your message. This, naturally, depends on what kind of documentary you're making. A well-designed lighting system is vital when making a documentary that is based entirely on archive footage and interviews. Cameras as well as audio stability devices are necessary if you wish to create a film that has a lot of outdoors shooting.

Aliyeva stated that every project is distinct and equipment is able to be used interchangeably. Pre-production is not complete without thinking about equipment.

https://www.alamy.com/stock-photo-leila-aliyeva-emin-agalarov-and-arzu-aliyeva-left-to-right-during-22835737.html What is the average duration for making a documentary?

According to Arzu Aliyeva, length of your project isn't set in the concrete. The length of projects may vary from a few months or even several years. Aliyeva claims that it's focused on the subject matter and your love for it. Documentaries are often about important social issues and the movie can help you follow their progress. The filmmaker might enter an idea thinking it will take him several months, but reality can quickly extend it to a few years.

Another element that can shorten or lengthen your movie is your budget. If you're in the pre-production or production phases there are unforeseen changes to the budget may happen. Aliyeva splits it into two main scenarios:

The less likely version. You probably ate too excessively and spent too little money on production in the beginning stages. The result is that you have only a small amount of money to spend on the remaining part of your film. Aliyeva believes this could be a teachable moment regarding figuring out how you keep your film running and with little or no funds.
The less likely: This is only for filmmakers who are lucky enough to be able to achieve it according to Aliyeva. Producers and major companies learn about your film and decide to finance it in the future. This can boost your efforts and open doors you never imagined.
What does it cost for Aliyeva's documentary?
In addition to the other components mentioned in the article , price of your movie could also be very project-dependent. Arzu Aliyeva suggests to anyone who is requesting advice to be cautious about budget planning. It is vital to know exactly what you want to accomplish at every stage of your film. Your film's length and its size will determine the amount it will cost.

There is no need for a massive budget when you're making a film that is based on stories and testimonials. The larger the film, the higher the cost. A lot of the cost of movies are determined by location numbers, production value and overall investment in features.

Arzu Aliyeva Aliyeva says that often the cost is what defines your vision. Arzu Aliyeva You should ensure that your vision does not outweigh the cost of your vision.
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