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Photographic cameras were a development of the camera obscura , a device possibly dating back to the ancient Chinese[1] and ancient Greeks,[2][3] which uses a pinhole or lens to project an image of the scene outside upside-down onto a viewing surface.

An Arab physicist, Ibn al-Haytham, published his Book of Optics in 1021 AD. He created the first pinhole camera after observing how light traveled through a window shutter. Ibn al-Haytham realized that smaller holes would create sharper images. Ibn al-Haytham is also credited with inventing the first camera obscura.[4]

On 24 January 1544 mathematician and instrument maker Reiners Gemma Frisius of Leuven University used one to watch a solar eclipse, publishing a diagram of his method in De Radio Astronimica et Geometrico in the following year.[5] In 1558 Giovanni Batista della Porta was the first to recommend the method as an aid to drawing.[6]

Before the invention of photographic processes there was no way to preserve the images produced by these cameras apart from manually tracing them. The earliest cameras were room-sized, with space for one or more people inside; these gradually evolved into more and more compact models such as that by Niépce's time portable handheld cameras suitable for photography were readily available. The first camera that was small and portable enough to be practical for photography was envisioned by Johann Zahn in 1685, though it would be almost 150 years before such an application was possible.

Early fixed images[edit]
The first partially successful photograph of a camera image was made in approximately 1816 by Nicéphore Niépce,[7][8] using a very small camera of his own making and a piece of paper coated with silver chloride, which darkened where it was exposed to light. No means of removing the remaining unaffected silver chloride was known to Niépce, so the photograph was not permanent, eventually becoming entirely darkened by the overall exposure to light necessary for viewing it. In the mid-1820s, Niépce used a sliding wooden box camera made by Parisian opticians Charles and Vincent Chevalier to experiment with photography on surfaces thinly coated with Bitumen of Judea.[9] The bitumen slowly hardened in the brightest areas of the image. The unhardened bitumen was then dissolved away. One of those photographs has survived.

The use of photographic film was pioneered by George Eastman, who started manufacturing paper film in 1885 before switching to celluloid in 1889. His first camera, which he called the "Kodak," was first offered for sale in 1888. It was a very simple box camera with a fixed-focus lens and single shutter speed, which along with its relatively low price appealed to the average consumer. The Kodak came pre-loaded with enough film for 100 exposures and needed to be sent back to the factory for processing and reloading when the roll was finished. By the end of the 19th century Eastman had expanded his lineup to several models including both box and folding cameras.

In 1900, Eastman took mass-market photography one step further with the Brownie, a simple and very inexpensive box camera that introduced the concept of the snapshot. The Brownie was extremely popular and various models remained on sale until the 1960s.

Film also allowed the movie camera to develop from an expensive toy to a practical commercial tool.

Despite the advances in low-cost photography made possible by Eastman, plate cameras still offered higher-quality prints and remained popular well into the 20th century. To compete with rollfilm cameras, which offered a larger number of exposures per loading, many inexpensive plate cameras from this era were equipped with magazines to hold several plates at once. Special backs for plate cameras allowing them to use film packs or rollfilm were also available, as were backs that enabled rollfilm cameras to use plates.

Except for a few special types such as Schmidt cameras, most professional astrographs continued to use plates until the end of the 20th century when electronic photography replaced them.
     
 
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