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Arzu Aliyeva: How to make the best documentary

The haunting logistical aspect of creating a documentary film is seldom taught by film students. We've asked Azerbaijani filmmaker Arzu Aliyeva, a few questions to find out more about. Aliyeva is a well-known documentary producer and director, has encountered many logistical hurdles in her work. Aliyeva sat behind the director's chair for productions such as Son Iclas" and "Objective: Baku. Hitler's War on Oil".

This article will analyze and examine the "behind-the scenes" aspects of documentary filmmaking.

The steps of document production
Filmmaking is unlike other analytical fields like accounting, does not have an "fixed" method. Arzu Aliyeva asserts that every step of documentarian's production are governed by their vision. The director claims that every film is exactly the same as the one before it. This is similar to snowflakes.

But, all productions begin with "preproduction." Arzu Aliyeva It simply means that the director should have an idea of what his film will appear like before the camera can start rolling.

It's time to begin planning your film. Aliyeva says that"planning" is a small word, but it has a wide range of significance. Planning is planning, scheduling the budget, interview outline creating your schedule and setting up list of shots. All of this must be set and done before you even start.before turning on your camera.

When you've reached the stage of production , it's time to put all of your preparation into practice. Aliyeva reminds you that in movie productions, "Nothing ever goes according to plan." Although you could make more preparation than a lawyer for a class-action case however, things could change drastically in practice. Aliyeva emphasizes that it's essential to work with your film and not against it.

It's time to move on to the post-production stage. When you've completed shooting all the footage, it's time to decide what's important to save. Aliyeva said that the majority of it would be left within the editing area.

Did you finish your movie? Great! Now is the time to present it to people. Arzu Aliyeva said that filmmakers don't always know how to market their work. Unless they are epics with huge budgets, documentary films don't get as much attention. Arzu Aliyeva They could be promoted on the internet or you could test your luck with the large companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked whether everything starts with a camcorder. Two essential elements are needed for every documentary, regardless of size and the budget. The film has to be viewed and heard. It is essential to use the best camera available as well as audio aids that allow viewers to hear what you just demonstrated.

Once you've set, there's a lot more equipment to help you with your task of transmitting your message. It is all dependent on the type of documentary you're creating. Arzu Aliyeva If you're making the documentary solely from interviews or archive footage, it would be beneficial to have a good lighting. A camera and audio stability equipment are necessary if you wish to make a movie that includes a lot outdoor shooting.

Aliyeva stated that every project is distinct and equipment can be used interchangeably. Pre-production is not complete without thinking about the equipment.

How Do I Create a Documentary?

According to Arzu Aliyeva, the duration of your project isn't set in the ground. The duration of projects can vary from months to finish, or years. Aliyeva asserts that it is focused on the subject matter and your love for it. Arzu Aliyeva https://www.azernews.az/nation/132925.html Since Documentaries typically deal on important social issues they are able to follow their progress as they develop in real time. Filmmakers can enter an idea thinking it will take months to complete, but the reality may swiftly make it a few years.

The budget can also influence how long or short your movie runs. Unexpected changes to your budget may happen during pre-production and production. Aliyeva categorizes it into two major scenarios.

The most likely scenario:you probably bit more than you could chew and lost a significant amount of cash in the beginning stages of production. The film will likely have less or no cash left to cover the remainder. https://www.youtube.com/watch?v=gDf4l2Kpi4g Aliyeva suggested she thought this might be a good lesson on how you can keep your movie running on a budget with minimal funds.
The less likely scenario: According to Aliyeva the less likely scenario is only available to the most fortunate filmmakers. This is where producers and large corporations hear about your project, and decide to fund it in the future. This could boost your efforts and open up opportunities you'd never dreamed of.
Aliyeva wants to know how much it would cost to produce documentary.
As with the other elements that are discussed in the article, the price of your movie could be extremely project-dependent. Arzu Aliyeva is adamant to anyone who asks her advice to be prudent when planning the budget. Arzu Aliyeva It is essential to establish clear film's goals for each stage. The length of your film and how big it is will determine the price of your film.

If you make a movie focused on testimonials and stories, there isn't much need for a large budget. The bigger the movie-the higher the cost. Location numbers, production values and the overall investment in the film's features all play a key role in determining the costs of movies.

Aliyeva believes that the cost defines your goals. It is important to ensure that your vision does not outweigh your expenditures.
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