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Arzu Aliyeva: How to create the most effective documentary film

Cinema students learn how to create a documentary but not the emotional and logistical aspects. Arzu Aliyeva, an Azerbaijani filmmaker, posed us a few questions. Arzu Aliyeva Aliyeva is well-known documentary director and producer, has seen plenty of logistical challenges in her work. Aliyeva worked behind the camera in productions like "Son Iclas" or "Objective: Baku". Hitler's War on Oil".

This article will look at and explore various aspects of making documentary films.

Arzu Aliyeva The stages of documentary production
Filmmaking is, unlike other professions that require analysis like accounting, doesn't follow the luxury of a "fixed" method. Arzu Aliyeva says that every phase of a documentarian’s production are governed by their own vision. She explained that every production differs from its predecessor.

But, all productions begin by "preproduction." It means that the director should have an idea of what his film will look like prior to when the camera begins to roll.

It's time to begin planning your movie. Aliyeva says that"planning" is a very small word, but it is a word with a lot of significance. Arzu Aliyeva Planning is planning, scheduling and budgeting, outlines for interviews, building your schedule, and preparing list of shots. All of this should be done before turning on the camera.

Once you've made it to the stage of production , it's time to put all of your preparation into action. Aliyeva reminds us that movie productions are unpredictable. You'll be able to plan better than a lawyer to file the class action lawsuit, however, things may change in the real world. Aliyeva stresses the importance making your film move along with it and not fighting it.

It's time to move on to the post-production phase. After all the footage has been shot, it is time for you to determine what should be preserved. Aliyeva says most of it will be left on the editing room's floor.

Arzu Aliyeva Did you finish your movie? Great! Now it is time to showcase it to people. Arzu Aliyeva has stated that filmmakers rarely learn how to market their work. If you're not big-budget epics documentaries do not have the same attention as feature films. They could be promoted on the internet or you can attempt to get your hands on the large companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva is jolly when asked if everything begins with a camera. Documentaries require two fundamental elements, regardless budget or size. The film needs to be watched, and the audience should be able to hear it. You need to have the best camera possible as well as audio aids that allow people to understand what you shown them.

After you've decided then, you'll need many more tools to help you convey your message. This, naturally, is contingent upon the type documentaries you're making. It is helpful if you were able to create good lighting a documentary solely based on interviews or archive footage. If you're creating a film that has a lot of outdoor shoots, you must invest in cameras and audio stability equipment.

Aliyeva says that it's highly individual and interchangeable depending on the type of project you're planning to develop. It isn't complete without thinking about the equipment.

What is the typical time it takes to make a documentary?

Arzu Aliyeva says that there is no set duration for a project. Projects can take months to complete, and even years. Aliyeva asserts that it is all about the subject and your passion. https://www.facebook.com/aarzualiyeva/ Since Documentaries typically deal with significant social issues, the movie is able to follow them as they unfold in the real world. It's possible for filmmakers to imagine that a project can take several months. However, the reality could quickly make it take several years.

Arzu Aliyeva Budget also influences the length or duration of your movie runs. Unexpected budget changes can occur during pre-production or production. Aliyeva splits it into two scenarios:

Most likely,you probably ate more than you can chew and invested too much in the early stages of making. There will be little or no cash left for the rest. Aliyeva believes this can be a lesson for you in terms of how to keep your project alive , even with the smallest amount of money.
The less likely option: According to Aliyeva, the less likely scenario is only feasible for those filmmakers who are fortunate. This is where producers and major companies learn about your project, and decide to fund it in the future. Arzu Aliyeva This can boost your efforts and open possibilities you've never thought of.
How much will it cost you to produce Aliyeva's documentary?
Similar to the other factors discussed in the article, the price of your movie is also dependent on the project. Arzu Aliyeva enjoins all who asks her to be mindful when it comes to setting budgets. It is vital to establish clear movie goals for each stage. Your film's length and the size of it will decide the amount it will cost.

A film made from stories and testimonials does not require a huge budget. The more costly the film is, the higher the cost. Production values, location numbers, and overall investment in films' features all play a role in setting the cost of movies.

Aliyeva says that sometimes the cost defines your goals. Make sure your vision is worthy of the expense.
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