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Arzu Aliyeva: How can you create the most effective documentary movies?

The terrifying logistical aspect of creating a documentary film is rarely discussed by film students. Arzu Aliyeva (Azerbaijani filmmaker) was asked questions. Arzu Aliyeva Aliyeva is a well-known director as well as documentary producer, who has faced many logistical issues in her projects. Aliyeva was behind the camera for productions like "Son Iclas" or "Objective: Baku". Hitler's War on Oil

This article will examine the various aspects of documentary filmmaking.

The steps of document production
Filmmaking is not the same as other areas of analysis like accounting or finance. Arzu Aliyeva affirms that every step of filmmaking follows the vision which they've formulated as a director. https://www.azernews.az/tags/13512/ She states that no production is exactly the same as its predecessor, just as snowflakes.

However, every film starts with "pre-production." It simply means that , before the camera starts rolling, the filmmaker needs to have an idea of how his film should appear.

Once you've got an knowledge of the background to the film, it's time to create a plan. Planning is, of course an unimportant word that has significance behind it, Says Aliyeva. This includes planning your budget, making outline of your interview, shot lists as well as budgeting and scheduling. All of these should be set and done in HTML0before switching on your camera.

Once you've reached the stage of production , it's time to put all of your planning into action. Aliyeva reminds us that movies aren't always predictable. It is possible to prepare more effectively than lawyers to file a class action lawsuit, however, things may change during the course of the production. Aliyeva stresses that it is crucial to work with your film rather than against it.

After the production has been completed and you are ready to get to the Post-production process. When you've completed shooting all the footage then you must decide which ones are worth saving. Arzu Aliyeva Aliyeva says the majority of it will end up on the floor of the editing room.

Did you finish your movie? Great! Arzu Aliyeva It is now time to share it with the world. Arzu Aliyeva says that distribution isn't something that filmmakers learn. Documentaries don't enjoy the same amount of demand as feature films unless they're epics with big budgets. You could promote it online or make an attempt with the biggest companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that all things begin by using a camera once she is asked. Two important elements are necessary to make a documentary, regardless of the size or budget. The film should be seen and heard. This means you'll need the highest quality camera and audio aids so viewers can understand the content you've just shown.

Once you've done, there's plenty of equipment for filmmaking to assist you in conveying your message. Of course, it will depend on the type documentaries you're making. A quality lighting system is necessary for making a documentary that relies only on archive footage or interviews. A camera as well as audio stability devices are crucial if you intend to make a movie that involves a lot of outdoors shooting.

Aliyeva states that it's all very personal and interchangeable dependent on the kind of project you plan to make. The thought of equipment is an essential aspect of the budget division during the pre-production stage.

What is the longest time it takes to produce a documentary.

Arzu Aliyeva claims that there isn't a set time frame for projects. Some projects could take months while other projects can last several years. Aliyeva says that it all depends on the subject matter and your interest. Since documentaries deal with numerous social issues, the movie allows you to follow them as they unfold in the real world. Filmmakers can enter an idea thinking it will take him several months, but reality can swiftly extend the time to several years.

Budget also influences how long or short the film runs. If you're in the phase of production or in the pre-production stage, some unexpected changes in your budget might happen. Aliyeva breaks it down into two main situations.

The more likely one:you probably bit more than you can chew , and spent too much funds in the initial stages of production. This leaves you with just a little or nothing to pay for the rest of your movie. Aliyeva thinks this could be a great learning opportunity to you on how to keep your film alive , even with very little money.
The less probable one: According to Aliyeva the least likely scenario is only feasible for the most fortunate filmmakers. It is also where large corporations and producers are informed about your idea and decide to fund your movie in the future. This could help your efforts and open opportunities you'd never dreamed of.
What is the cost for a documentary to be made according to Aliyeva
The cost of your film as well as the other elements mentioned in this article, is dependent on your project. Arzu Aliyeva is adamant to anyone who wants her to be extremely cautious when planning her budget. It is important to know precisely your goals in each movie stage. The length of your film and the size will ultimately determine the cost of the film.

It is not necessary to have a large budget to make films about stories or testimonials. The bigger the movie-the higher the cost. Location numbers, production values and the total investment in the film's features all play a factor in determining the cost of movies.

https://president.az/en/articles/view/6296 Aliyeva states that sometimes the price of your vision may be as important as the vision itself. Make sure your vision is in line with your budget. Arzu Aliyeva
Homepage: https://president.az/en/articles/view/6296