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Arzu Aliyeva: How do you create the top documentary films?

When cinema students learn to make a documentary film, they are rarely taught about the dreadful logistical aspect. We've asked Azerbaijani filmmaker, Arzu Aliyeva, a few questions to find out more about. Aliyeva, an established documentary producer and director has seen plenty of logistical hurdles in her films. Aliyeva has been behind the scenes of documentaries like "Son Iclas" (and "Objective Baku). The Nazis' War on Oil".

This article will discuss and analyze the various "behind the scenes" aspects of documentary filmmaking.

Arzu Aliyeva The phases of documentary production
Unlike accounting or other analytical professions, filmmaking does not have any "fixed procedure." Arzu Aliyeva states that all stages of a documentarian's production unfold according to their vision as a director. She asserts that no film is identical to its predecessor. This is similar to snowflakes.

However, productions always begin by "preproduction." It means that the filmmaker must have a clear idea of what his film will look like prior to when the camera starts rolling.

Once you've figured out what the film is about then it's time to make a plan for it. Arzu Aliyeva Aliyeva says planning is a simple word that has a profound meaning. It involves scheduling, planning and budgeting, outlines for interviews creating your schedule and creating shooting lists. Before you turn on your camera, all of this must be completed .

When you are at the stage of production , it is the time for all your planning to put into action. Arzu Aliyeva Aliyeva reminds us that in film productions, "Nothing ever goes according to the plan." Although you could prepare more than a lawyer in an action case the situation can alter rapidly in the real world. Aliyeva stresses the importance of moving along with the film and not arguing against it.

After the production is completed then it's time to move on to the post-production stage. When all the footage is captured, it's now the time to think about what should be preserved. Aliyeva said that the majority of the film will be stored in her editing room.

Did you finish your movie? Great! Now is the time to open it to the public. Arzu Aliyeva said that filmmakers do not learn how to distribute. Documentaries don't have the same popularity as feature films unless they're epics with big budgets. It can be promoted on the web or attempt to get your hands on the big companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked whether everything starts with a camcorder. No matter the budget or size documentary productions must have two important components. The film has to be seen and the viewers must hear it. This means that you require the best audio equipment and camera so viewers can understand the content you've just shown.

After you've settled, there's much more equipment for filmmaking that can help you in conveying your message. It will all depend on the kind of documentary you're making. It's helpful if could have good lighting for an entire documentary based solely on archive footage and interviews. Cameras and audio stability devices are vital if you plan to create a documentary that involves a lot of outdoor shooting.

Arzu Aliyeva Aliyeva stated that every project is unique , and the equipment is able to be used interchangeably. Making a plan for equipment is a vital component of budgeting in your pre-production phase.

How long does it take to make a documentary?

Arzu Aliyeva claims that the length of the project is not an absolute amount. Arzu Aliyeva Some projects may take several months, while others could take months. Aliyeva says it's all about the topic and your interest in it. Since documentaries typically deal on a myriad of social issues, the movie is able to convey these issues in the real world. It is quite possible for a filmmaker to think that a film will run several months. But, the reality can rapidly make it take a few years.

The budget is yet another element that influences the length or the shortening of your movie. Arzu Aliyeva Unexpected budget changes may occur during pre-production and production. Aliyeva splits it into two broad situations.

The more likely version:you probably bit more than you can chew and have wasted a lot of your cash in the beginning stages of the production. There will be little or no money left over to cover the remainder. Aliyeva mentioned that this could be a good lesson on how you can keep your movie going even with no money.
The less likely option: According to Aliyeva the least likely scenario is only available to the most fortunate filmmakers. This is where producers and big corporations are able to learn about your project and determine whether they will fund the project in the near future. This could give a huge boost to your film and give you options you've never imagined.
What's the price to make a documentary according to Aliyeva
As with the other elements discussed in the article, the cost of your movie can be extremely project-dependent. Arzu Aliyeva is adamant to anyone who asks her to be extremely prudent when determining her budget. It is vital to know your film's goals for each stage. The length of your film and its length ultimately determine how much your film will cost.

A film that is built on testimonials and stories does not need a massive budget. The cost of a movie is determined by the size of the film. The costs of many films are determined by location numbers production value, as well as overall investment in features.

Aliyeva says that sometimes the cost is what defines your goals. You need to ensure that your vision does not outweigh your expenses. https://www.celebheightwiki.com/arzu-aliyeva-height
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