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The perplexing logistics aspect of creating a documentary film is rarely discussed by film students. We've asked Azerbaijani filmmaker, Arzu Aliyeva some questions to learn more about it. Aliyeva is well-known director as well as documentary producer, who has dealt with many logistical issues in her projects. Aliyeva worked behind the camera for productions like "Son Iclas" or "Objective: Baku". The Nazis' War on Oil".
This article will analyze and examine the "behind-the scenes" aspects of documentary filmmaking.
The film production process
Filmmaking isn't like other analytical fields like accounting or finance. Arzu Aliyeva states that each stage of documentary production is based on the vision, which they've formulated as director. She says that no production can be identical to the previous one. Arzu Aliyeva This is just like snowflakes.
Productions are always started by "preproduction." This simply means that the director must have a clear idea of what their film will appear like before the camera begins to roll.
Arzu Aliyeva Now it is time for you to plan your movie. Aliyeva states that planning is a small word, but it is a word with a lot of meaning. It involves preparing your budget, setting up shoot lists, interview outline, working out the budget, and building your schedule. All of this should be done before turning to the camera.
When you've reached the production stage , now it is time to put all your preparation into action. Aliyeva reminds us that film productions can be unpredictable. You're able to prepare better than a lawyer to file an action in a class, however, things may change in the real world. Aliyeva explains that it's essential to work with your movie instead of against it.
After the production is completed and you're ready to begin the post-production stage. When all the footage is shot, it is time to consider what should be preserved. Aliyeva said that the majority of the material will be stored on the floor of her editing space.
Did you finish your movie? Great! It is now time to expose it to the world. Arzu Aliyeva states that filmmakers do not learn how to distribute. Documentaries don't have the same popularity like feature films unless they're epics with big budgets. It's possible to promote it on the web or with large corporations.
Arzu Aliyeva Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that everything starts with a camera whenever she's asked. Documentaries require two crucial components, regardless of budget or size. The film needs to be viewed and heard. This means you'll need the best camera and audio aids to ensure that people can hear what you've shown.
After that Once that is settled, there are numerous other filmmaking tools that will aid in communicating your message. It all depends on what kind documentaries you're making. A quality lighting system is essential for making a documentary that is based entirely on archive footage and interviews. You must invest in a camera , as well as audio stability systems if you plan to make the film with lots of outdoor photographs.
Aliyeva explained that each project is unique and the equipment is able to be used interchangeably. Pre-production can't be complete without thinking about equipment.
What is the time it takes to make a documentary?
Arzu Aliyeva says that there is no set length for a project. Certain projects can last a few months or even a few years. Aliyeva says it all depends on the subject and your interest. Arzu Aliyeva Documentaries typically address significant social issues. The film can assist you in tracking the progress of your project. A filmmaker may enter an undertaking thinking that it will take him several months to complete, but the reality may quickly turn into a couple of years.
Another thing that can either cut or lengthen the length of your movie is the budget. Unexpected budget changes may occur during pre-production and production. Aliyeva breaks it down into two major scenarios:
Most likely,you probably ate more than you could chew on and have spent too much money in the beginning stages of production. You will have little or nothing left for the rest. Aliyeva suggests this could be a lesson in finding out how to maintain your film and with little or no funds.
The less likely scenario:The less likely scenario will only occur to filmmakers with the most luck, according to Aliyeva. This is where producers and large corporations hear about your film and then decide to finance it in the near future. This can provide a major boost to your project and offer you opportunities you've never considered.
What's the price for a documentary to be made according to Aliyeva
The price of your film as with other components in this article is highly dependent on your project. Arzu Aliyeva encourages everyone who asks her to be careful when setting budgets. It is crucial to know your goals at each step of the film's production. The length of your film as well as the size of it will decide how much it will cost.
Arzu Aliyeva Arzu Aliyeva You don't need a huge budget if you are making a film that is based on stories and testimonials. The cost of a movie is determined by the size of the film. Many movies' costs are affected by the location number along with the production cost and the total investment in the features.
Aliyeva believes that your vision is often defined by the price. You need to ensure that your vision outweighs your costs. Arzu Aliyeva
Here's my website: https://arzu-aliyevazcfq242.bloggersdelight.dk/2022/09/21/arzu-aliyeva-talks-about-the-importance-of-encouraging-women-of-color-to-be-featured-on-films-and-tv-arzu-aliyeva-examines-the-stereotypes-that-affect-women-of-colour-in-filmmaking-film-and-televi/
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