Notes

Arzu Aliyeva: How do you make the best documentary movie

The terrifying logistical aspect of creating a documentary is not often covered by cinema students. Arzu Aliyeva Arzu Aliyeva, an Azerbaijani filmmaker, asked us a few questions. Aliyeva is a seasoned documentary producer and director has had to overcome many logistical obstacles in her work. Aliyeva worked behind the director's chair for productions such as Son Iclas" and "Objective: Baku. The Nazis' War on Oil".

This article will look at and explore the "behind-the scenes" aspects of documentary filmmaking.

The phases of documentary production
Filmmaking like other analytical professions like accounting, doesn't follow any "fixed" procedure. Arzu Aliyeva claims that all stages of the production of a documentary are governed by their ideas. She claims that no film is exactly the same as the one before it. This is just like snowflakes.

Every production begins by completing "pre-production." This means that prior to the camera can begin to shoot, the filmmaker needs to have an idea of how the film is going to appear.

When you've identified what your movie is about, it is time to plan it out. Aliyeva says that planning is a simple word that has a significant meaning. Arzu Aliyeva It includes planning your budget, making outline of your interview, shot lists, budgeting, and scheduling. All of this needs to be completed prior to turning on the camera.

When you've reached the production stage , now it is time to put all your preparation into action. Aliyeva reminds us that movies aren't always predictable. It is possible to prepare more effectively than lawyers for the possibility of a class action lawsuit but things could change rapidly in practice. Aliyeva explains that it's crucial to work with your film rather than against it.

Once the production has been completed, it's time to begin the post-production stage. Once you've finished shooting all of the material, it's time to decide what is worth saving. Aliyeva says most of it will be left on the floor of the editing room.

Did you finish your movie? Great! Arzu Aliyeva Now it is time to present it to people. Arzu Aliyeva has stated that filmmakers don't always know how to distribute. Documentaries don't enjoy the same appeal like feature films unless they're big-budget epics. You could promote it online or make an attempt with the big companies.

Arzu Aliyeva's most Essential Equipment in a documentary
When Asked, Aliyeva jokingly says that everything starts with cameras. Two significant elements are required in any documentary regardless of size and the budget. The film needs to be seen and heard. This means that you need the best audio and camera equipment so that people can hear what you have just shown.

Once you've settled on that then, you'll need various other equipment that can assist you in communicating your message. That, of course, depends on what kind of documentary you're creating. It's best if you had a good lighting system to create a documentary solely based on interviews or archive footage. If you're creating a film that includes a large number of outdoor shots, you need to invest in an audio stabilization device and camera. devices.

Aliyeva states that all of it is very individual and could be interchanged in accordance with the type of project. Pre-production can't be complete without thinking about the equipment.

What is the standard duration for making a documentary?

According to Arzu Aliyeva the length of your project can never be fixed in the stone. Some projects may last for several months while other projects can last years. Aliyeva claims that it is all about the topic and your interest in it. Documentaries are often about important social issues . The documentary can aid you in following the progress of your project. A filmmaker may enter an idea thinking it will take him several months, but reality can swiftly extend the time to several years.

Arzu Aliyeva Budget is another aspect that could affect the length or shortening of your film. Unexpected changes could occur in your budget when you are in the production or pre-production stages. Aliyeva breaks it down into two main scenarios.

The more likely one:you probably bit more than you can chew and have wasted a lot of your cash in the beginning stages of film production. You'll be left with very only a small amount of money to spend on the rest of your film. Aliyeva believes this could be a learning experience in figuring out how you keep your film alive and with little or no funds.
The less likely This scenario is for filmmakers who are lucky enough to be able to achieve it Aliyeva says. These are the places where producers and big corporations learn about your project and decide whether to fund it in the future. This can boost your efforts and open up opportunities you'd never dreamed of.
Aliyeva wants to know how much it will cost to create documentary.
As with the other aspects discussed in this article, the cost of your film is very project-dependent. Arzu Aliyeva teaches anyone that asks her to be very prudent when planning the budget. It is essential to comprehend your objectives for each stage of the movie production process. How long your movie is and the size will ultimately determine the expense of the film.

A film built on testimonials and stories doesn't require a large budget. Arzu Aliyeva The more costly the film is, the higher the cost. Arzu Aliyeva A lot of the cost of movies are determined by location numbers along with the production cost and the total investment in the features.

Aliyeva says that sometimes the cost can define your goals. Make sure your vision is worthy of the expense.
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