Notes

Arzu Aliyeva: How do you make the most compelling documentary films?

The haunting logistical aspect of making a documentary film is seldom discussed by film students. Arzu Aliyeva (Azerbaijani filmmaker) was asked questions. Aliyeva is well-known director and documentary producer who has had to face many logistical challenges when working on her projects. Aliyeva has sat in the director's chair for productions such as Son Iclas" and "Objective: Baku. The Nazis' War on Oil

This article will examine and break down the various "behind the scenes" aspects of documentary filmmaking.

The steps of document production
Filmmaking, unlike other analytical professions like accounting, doesn't have the luxury of a "fixed" procedure. Arzu Aliyeva states that every stage of a documentarian’s production are guided by their vision. https://soundcloud.com/arzu-aliyeva-38956953 She explained that each film is different from its predecessor.

However, every film begins with "pre-production." It simply means that , before the camera begins to roll, the filmmaker needs to have an idea of how his film should appear.

When you've identified the theme of your film and what it's about, you need to make a plan for it. Arzu Aliyeva Aliyeva claims that planning is a word that's simple but is a powerful word. This means planning your budget, creating shot lists, interview outlines, budgeting, and scheduling. Arzu Aliyeva All this must be completed before you turn to the camera.

Once you've reached the production stage , it's time to put all the preparation you've made into practice. Aliyeva reminds us that the unwritten rule for film productions is that "Nothing ever goes as expected." Arzu Aliyeva It is possible that you done better than a lawyer before a class action case However, things could shift in the context of the case. Aliyeva stresses that you must to adapt with your film and not try to rewrite it.

Arzu Aliyeva Once production is complete then it's time to move on to the post-production stage. Once you've taken all the material then it's time to examine what's worthy of preservation. Aliyeva says the majority of the footage will be kept on the floor of her editing room.

Did you finish your movie? Great! Now is the time to make it accessible to the public. Arzu Aliyeva says that distribution is not something filmmakers learn. If they're not epics with massive budgets, documentary movies aren't as popular. You could advertise it on the web or approach the major corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked if the entire process begins with a camcorder. Whatever the size or budget documentary productions must have two key elements. The film should be viewed and heard. That means getting the best camera you can buy and using audio aids to help people listen to the film you've presented to them.

Once that's settled There are a variety of filmmaking tools that will assist in communicating your message. It will all depend on the kind of documentary you're making. A reliable lighting system is vital when making a documentary that relies entirely on archive footage and interviews. A camera and audio stability equipment are crucial if you intend to make a movie that includes a lot outdoors shooting.

Aliyeva says that it's highly individual and interchangeable in accordance with the project you are planning to create. Pre-production is not complete without thinking about the equipment.

What is the standard time to produce a documentary?

Arzu Aliyeva states that there isn't a set time frame for projects. Different projects can take a few months or even several years. Aliyeva claims it's all about the topic and your passion for it. Documentaries often deal with important social issues . The film can assist you in tracking the progress of your project. Filmmakers may think that a project could take several months to complete, but in reality it can be a long time.

Budgets can affect how long or short your movie runs. Unexpected changes can happen in your budget when you're in the production or pre-production stages. Aliyeva splits it into two main scenarios:

The more likely version:you probably bit more than you can chew , and lost a significant amount of funds in the initial stages of the production. You'll have very little or nothing left for the rest. Aliyeva believes this could be a lesson in finding out the best way to maintain your film and with little or no funds.
The less likely one: According to Aliyeva, the less likely scenario is only feasible for the most fortunate filmmakers. This is when big corporations and producers hear about your idea and decide to help fund your movie in the future. This could be a massive increase in your production and bring you opportunities that you may not have thought of.
What will it cost to produce Aliyeva's documentary?
The cost of your movie as with other components in this article is highly dependent on the project. Arzu Aliyeva enjoins all who wants to know her advice to be cautious when it comes to setting budgets. It is crucial to know your goals at each step of the production process. How long your movie is and how large will determine the price of your film.

A film built on testimonials and stories does not need a massive budget. The bigger the movie-the higher the price. Production values, location numbers as well as the overall cost of film's special features all play an important factor in determining the cost of films.

Aliyeva states that sometimes the cost of your vision can be more important than the actual vision. You should make sure that your vision is greater than your expenses.
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