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Arzu Aliyeva: How do you make the best documentary film?

When students of cinema learn to create a documentary They are not taught about the perplexing logistical part. Arzu Aliyeva (Azerbaijani filmmaker) was asked a few questions. Aliyeva an experienced documentary producer and director , has had to overcome many logistical obstacles in her work. Aliyeva worked behind the director's seat in films like Son Iclas" and "Objective: Baku. The Nazis' War on Oil

This article will explore and discuss the "behind-the scenes" aspects of documentary filmmaking.

The stages of documentary production
Filmmaking like other analytical professions like accounting, doesn't have an "fixed" process. Arzu Aliyeva says that every phase of the production of a documentary are guided by their vision. She asserts that no film is identical to its predecessor. It's like snowflakes.

Productions are always started with "preproduction." It simply means that the director should have an idea of what their film will look like before the camera starts rolling.

Now it is time to think about planning your movie. Planning is, naturally, a small word with significance behind it, Says Aliyeva. https://www.instagram.com/aarzualiyeva13/ This is a good way to plan your budget, making shoot lists, interview outline, budgeting, and scheduling. Before you start your camera, all this must be completed .

When you're at the stage of production , it is the time for all your planning to be put into use. Aliyeva reminds us of an essential rule of film production is that "Nothing ever goes as scheduled." You could have done better than a lawyer in the class action lawsuit however, everything could change when you're in the field. Aliyeva stresses that you must to be flexible with your production and not try to rewrite it.

Once the production has been completed, it's time to begin the post-production stage. After all the footage is shot, it is time to consider what should be preserved. Aliyeva said that the majority of it would remain on the floor within the editing area.

Did you finish your movie? Great! Now it's time to release it to the public. According to Arzu Aliyeva, Distribution is not often taught to filmmakers. Unless they are epics with massive budgets, documentary movies do not have the same demand. They could be promoted on the internet, or you can try your luck at the big corporations.

https://azertag.az/en/xeber/Arzu_Aliyeva_Tour_d_039Azerbaidjan_creates_a_festive_atmosphere_in_the_country-1058185 Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that everything starts by using a camera once she's asked. Two essential elements are needed for every documentary, regardless of size and the budget. Arzu Aliyeva The film should be seen and heard. That means you'll need the best audio and camera equipment so that viewers can understand what you've shown.

Once that is settled, there are many other filmmaking tools that can assist you in communicating your message. This, naturally, depends on what kind of documentary you're creating. It is helpful if you were able to create good lighting the documentary solely on interviews and archive footage. A camera as well as audio stability devices are vital if you plan to make a movie that has a lot of outdoors shooting.

Aliyeva states that everything is very individual and could be changed dependent on the kind of project. It is an essential aspect of the budget division in your pre-production phase.

What is the typical time to produce a documentary?

Arzu Aliyeva claims that the length of the project is not the same as a set amount. The duration of projects can vary from months to finish, or years. Aliyeva states that it's all about the topic and your interest in it. Documentaries usually focus on important social issues and the documentary can aid you in following the progress of your project. The filmmaker might enter a project thinking it will take him several months, however, reality can quickly extend it to a few years.

Budget can also affect how long or short your movie runs. https://azertag.az/en/xeber/Arzu_Aliyeva_visits_Baku_Chess_Olympiad_venue_VIDEO-989711 In the stage of pre-production or production there are unforeseen changes to the budget may occur. Aliyeva splits it into two broad situations.

https://dbpedia.org/page/Arzu_Aliyeva The less likely choice. You probably ate too often and spent a lot of funds on production in the early stages. It leaves you with little or no money to spend on the remaining part of your movie. Aliyeva believes this could be a learning experience in finding out the best way to keep your film alive and with little or no funds.
The less probable one: According to Aliyeva the less likely scenario is only available to those filmmakers who are fortunate. Producers as well as big corporations learn about your work and then decide to finance it in the future. This can be a huge boost to your efforts and give you opportunities you may not have dreamed of.
Arzu Aliyeva Aliyeva wonders what it will cost to create documentary.
In addition to the other components discussed in the article, the cost of your movie can also be highly project-dependent. Arzu Aliyeva enjoins all who has asked her to be extra cautious when making budgets. It is vital to know your movie's objectives for each stage. The length of your film and its magnitude eventually determine the amount your film will cost.

If you are making a film that is based on stories and testimonials There is no need to have a huge budget. The cost of a movie is determined by its size. The cost of many movies is ultimately determined by location numbers, production value and the investment in the film's features.

Aliyeva says that, in certain instances the price of your vision could be just as important as the actual vision. Make sure the vision justifies your costs. https://twitter.com/arzuali82766849
Website: https://dbpedia.org/page/Arzu_Aliyeva