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Arzu Aliyeva: How do you make the most compelling documentaries?

Cinema students learn how to make a documentary but not the emotional and logistical aspects. Arzu Aliyeva, an Azerbaijani filmmaker, asked us a few questions. Aliyeva, an established documentary producer and director, has encountered many logistical challenges in her projects. Aliyeva has been behind the production of films like "Son Iclas" (and "Objective Baku). The Nazis' War on Oil".

This article will explore and analyze various aspects of documentary filmmaking.

The steps of document production
Filmmaking is different from other fields of analysis, such as accounting or finance. Arzu Aliyeva states that each stage of documentary production is based on their own vision that they've formulated as a director. She asserts that no film is exactly the same as the one before it. This is just like snowflakes.

Productions are always started with "preproduction." It means that the director must have a clear idea of what their film will appear like before the camera begins to roll.

Once you've figured out the subject matter of your film, it is time to make a plan for it. Arzu Aliyeva Aliyeva says that"planning" is a very tiny word, but it has a lot of meaning. This means establishing your budget, setting up list of shots, outline for interviews as well as determining the budget, and building your schedule. All of this should be completed before the camera is turned on.

Once you reach the production stage , it is time for your entire preparation to put into action. Aliyeva reminds movie productions, "Nothing ever goes according to the plan." Although you may make more preparation than a lawyer in the case of a class action but things may change quickly in practice. Aliyeva emphasizes the importance of making your film move along with it and not fighting it.

https://president.az/en/articles/view/6296 It's now time to go through the Post-production stage. When all the footage has been captured, it's now time to decide the things that should be kept. Aliyeva says the majority of it will remain in the editing room's floor.

Did you finish your movie? Great! Now is the time to release it to the public. Arzu Aliyeva claims that distribution is not something filmmakers are taught. Except for epics with big budgets, documentary films aren't as popular. You can promote it online or partner with major businesses.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that everything starts with a camera when she is asked. Documentaries require two essential elements, regardless of size or budget. The film must be seen and heard. That means investing in the top camera you can buy and audio aids that aid people in listening to the content you've just shown them.

Once that is settled after that, there are other tools for filmmaking that can aid in communicating your message. Of course, it depends on the kind of documentary you're making. A well-designed lighting system is necessary for making a documentary that relies entirely on archive footage and interviews. You should invest in a camera , as well as audio stability systems in case you are planning to create a movie with a lot of outdoor footage.

Arzu Aliyeva Aliyeva stated that every project is distinct and equipment can be utilized interchangeably. Equipment is a significant part of your budget during the phase prior to production.

What is the longest time it takes to produce a documentary.

According to Arzu Aliyeva, the duration of your project can never be fixed in the stone. Certain projects can last several months or a few years. Aliyeva states that it's focused on the subject and your interest in it. Documentaries typically address crucial social issues, and the film will help you track their progress. It is common for filmmakers to imagine that a project will take some time. But, reality can quickly mean that it will take several years.

Budget also influences how long or short your film is. Unexpected adjustments to your budget may happen during pre-production and production. Aliyeva breaks it down into two main scenarios.

The more likely option:you probably bit more than you can chew and wasted too much of your money in the early stages of the production. Arzu Aliyeva The result is that you have only a small amount of money to spend on the remaining part of your film. Aliyeva is of the opinion that this could be a lesson for you as it relates to how to keep your project alive , even with the smallest amount of money.
The less likely This is only for filmmakers lucky enough to to make it happen, Aliyeva says. This is where producers and major companies learn about your work and decide to invest in it in the near future. This could give a huge boost to your film and give you options you've never imagined.
How much will it cost you for Aliyeva's documentary?
The cost of your film, like the other elements in this article is highly dependent on the scope of your project. Arzu Aliyeva urges everyone who has asked her to be careful when budgeting. It is crucial to understand precisely your goals in every movie stage. How long your movie is and how big it is will ultimately determine the expense of your film.

It is not necessary to have a large budget when you're making films about stories or testimonials. The more expensive the movie costs, the higher. The cost of many movies is ultimately determined by locations, production values and the investment in the film's features.

Aliyeva says that in some cases the price you pay for your vision can be as important as the vision itself. https://www.wikidata.org/wiki/Q23683242 Therefore, ensure that the vision is able to justify your expenses.
Website: https://soundcloud.com/arzu-aliyeva-38956953