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Arzu Aliyeva What is the best way to make the most effective documentary film?

Cinema students are taught how to make a documentary film, they are rarely taught about the terrifying logistics aspect. We have asked Azerbaijani filmmaker, Arzu Aliyeva a few questions to gain more knowledge about. Aliyeva, well-known documentary director and producer, has seen plenty of logistical challenges in her films. Arzu Aliyeva Aliyeva has been behind the scenes of productions such as "Son Iclas" (and "Objective Baku). The Nazis' War on Oil".

This article will explore and discuss the "behind-the scenes" aspects of documentary filmmaking.

The film production process
Filmmaking is unlike other analytical fields like accounting, doesn't have an "fixed" method. Arzu Aliyeva states that every stage of a documentary's production are guided by their vision. She states that no production is the same as its predecessor, just as snowflakes.

Arzu Aliyeva Yet, every production starts by completing "pre-production." This means that , before the camera can begin to shoot the director must have an idea of how the film will look.

After you've decided the subject matter of your film then it's time to organize it in a way that is suitable. Planning is, obviously small, but it has an important meaning, Says Aliyeva. It includes planning your budget, creating outline of your interview, shot lists, budgeting, and scheduling. All of that should be accomplished before turning on your camera.

When you are at the production stage , it is time for your entire preparation to be put into practice. Aliyeva reminds us that movies aren't always predictable. You'll be able to plan more effectively than lawyers in the class action lawsuit, but things can change quickly when you're in the field. Aliyeva emphasizes the importance making your film move along with it and not fighting it.

Once the production has been completed, it's time to begin the post-production stage. Once you have shot all of the footage then it's time to examine what's worthy of preservation. Aliyeva said that the majority of it would remain on the floor in the editing room.

Did you finish your movie? Great! It is now time to show it to the world. Arzu Aliyeva says distribution isn't something that filmmakers learn. Documentaries aren't in the same popularity as feature films , unless they're big-budget epics. Arzu Aliyeva They could be promoted on the internet or attempt to get your hands on the big companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that everything begins with a camera , when she is asked. Documentaries require two crucial components, regardless of budget or size. The film should be seen and heard. Arzu Aliyeva You should have the most powerful camera you can as well as audio aids that enable viewers to hear what you just showed them.

After that, there are many other filmmaking tools that will assist you in communicating your message. This, naturally, depends on the kind of documentary you're creating. A good lighting system is necessary for making a documentary that relies only on archive footage or interviews. It is recommended to purchase a camera as well as audio stability equipment if you plan to make a movie with a lot of outdoor images.

Aliyeva asserts that everything is very individual and could be exchanged depending on the type of project. The process of pre-production cannot be completed without thinking about the equipment.

What takes the longest for a documentary.

Arzu Aliyeva says that the length of projects isn't an absolute amount. Arzu Aliyeva The length of projects may vary from a few months or even several years. Aliyeva claims it's all about the topic and your love for it. Because documentaries usually deal with significant social issues, the movie is able to follow the events as they unfold in the real world. Filmmakers may think that a project could take several months to finish, however, actually, it can take several years.

Arzu Aliyeva Another factor that could cut or lengthen the length of your movie is your budget. In the stage of pre-production or production certain unexpected changes to the budget may happen. Aliyeva categorizes it into two broad scenarios.

The least likely option. You probably ate too many calories and spent too little money on production in the early stages. You'll have very little or no money left over for the rest. Arzu Aliyeva Aliyeva thinks this could be a great learning opportunity for you regarding how to keep your movie alive , even with the smallest amount of money.
The less probable one: According to Aliyeva this scenario is only possible for those filmmakers who are fortunate. It is also where large corporations and producers hear about your project and decide to help fund your film in the future. This can help boost your efforts as well as open opportunities you'd never dreamed of.
Aliyeva inquires about the amount it costs to make documentary.
The cost of your movie, like the other elements in this post, is largely project dependent. Arzu Aliyeva suggests to anyone who wants to know to be wary of budgeting. It is essential to establish clear film's goals for each stage. Your film's length and the size of it will decide how much it will cost.

If you make a movie focused on testimonials and stories it's not a need for a big budget. The cost of a film is determined by the size of the film. The cost of many films will ultimately be determined by the locations numbers, production value, and the overall budget for the film's featurettes.

Aliyeva believes that the vision you have is often defined by the price. You must ensure that your vision worth the cost.
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