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Arzu Aliyeva How do you create the most effective documentary film?

The gruelling logistical aspects of making a documentary film is seldom taught by film students. Arzu Aliyeva is an Azerbaijani filmmaker, asked us a few questions. Aliyeva is a seasoned documentary producer and director has encountered numerous logistical challenges during her work. Aliyeva has been behind filming of projects such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will look at and discuss the "behind-the scenes" aspects of documentary filmmaking.

The film production process
As opposed to accounting, or other similar professions, filmmaking does not have a "fixed process." Arzu Aliyeva claims that all the steps of a documentary's making unfold according to their vision as a director. She explains that no production will be the same as the predecessor, much like snowflakes.

Yet, every production begins with "pre-production." This simply signifies that before a camera starts rolling, the filmmaker needs to have a good idea of how the film is going to look.

If you've a clear knowledge of the background to your movie, it's time to make plans. Aliyeva says that"planning" is a tiny word, yet it is a word with a lot of meaning. It involves scheduling, planning, budgeting, interview outlines making your schedule and putting together shooting lists. Before turning on your camera, all of this should be taken care of .

Once you've reached the production stage , it is time for all your preparation to put into action. Aliyeva reminds us all that film productions can be unpredictable. You're able to prepare better than a lawyer in an action in a class, but things can change quickly during the course of the production. Aliyeva emphasizes the importance making your film move along with it and not arguing against it.

Now is the time to begin the post-production phase. Once you have shot all the material after which you can determine what's worth keeping. Aliyeva says the majority of the material will be kept in her editing space.

Arzu Aliyeva Arzu Aliyeva Did you finish your movie? Great! It is now time to expose it to the world. Arzu Aliyeva says distribution isn't something that filmmakers learn. Documentaries aren't in the same appeal as feature films unless they're epics with big budgets. You can promote it online or partner with major companies.

Arzu Aliyeva Arzu Aliyeva's most Essential Equipment in a documentary
If asked, Aliyeva jokes says that everything starts with the camera. Documentaries require two essential elements, regardless of their budget or size. The film has to be seen by the audience, and they must hear it. It is essential to use the most powerful camera you can as well as audio aids that allow viewers to listen to what you presented to them.

Once you've settled that after that, you'll be able to find a lot more equipment to aid in delivering your message. It is all dependent on the type of documentary you're making. A good lighting system is essential for making a documentary that is based only on archive footage or interviews. If you're making a film with a lot of outdoor shooting, you need to invest in an audio stabilization device and camera. devices.

Aliyeva says that everything is very personal and can be exchanged dependent on the kind of project. Equipment is an essential part of your budget in the stage prior to production.

What is the longest time for a documentary.

According to Arzu Aliyeva, length of your project can never be fixed in the concrete. Projects may take months to finish, or years. Aliyeva claims it's all about the topic and your enthusiasm for it. Arzu Aliyeva Because Documentaries tend to deal with a variety of important social issues, the film manages to escort these issues in real life. It is possible for filmmakers to imagine that a project will take many months. But, the reality can rapidly make it take a few years.

Another aspect that could reduce or increase the length of your film is your budget. In the phase of production or in the pre-production stage, some unexpected changes in the budget may occur. Aliyeva divides it into two scenarios:

The most likely:you probably ate more food than you could chew and paid too much for the initial stages of production. You'll have very little or no cash left to cover the remainder. Aliyeva claims this can be a learning experience in figuring out how you keep your film going with almost no money.
The less likely one: According to Aliyeva, the less likely scenario is only possible for the most fortunate filmmakers. It is also where large corporations and producers discover your project and decide to finance your film in the near future. This can provide a major boost to your efforts and give you options you've never considered.
Arzu Aliyeva Arzu Aliyeva Aliyeva wonders what it costs to make a documentary.
The cost of your movie, like the other elements in this article is highly dependent on the scope of your project. Arzu Aliyeva advises anyone who wants her to be very prudent when determining her budget. It is important to understand the goals you want to achieve at each stage of the movie production process. How long your movie is and the size will ultimately determine the cost of the film.

Arzu Aliyeva If you create a film centered around stories and testimonials you don't have much need to have a huge budget. Arzu Aliyeva The more expansive the film, the greater the cost. Locations, production costs and the total investment in the film's features all play a key role in determining the costs of movies.

Aliyeva says that often the cost determines your vision. Make sure the vision is able to justify your expenses.
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