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Arzu Aliyeva: How to make the best documentary film?

When cinema students learn how to create a documentary, they are rarely taught about the terrifying logistical part. Arzu Aliyeva (Azerbaijani filmmaker) was asked some questions. Aliyeva, a well-known documentary director and producer, has encountered many logistical obstacles in her work. Arzu Aliyeva Aliyeva was a director's chair for productions such as Son Iclas" and "Objective: Baku. Hitler's War on Oil".

This article will examine and examine the "behind-the scenes" aspects of documentary filmmaking.

The phases of documentary film production
In contrast to accounting and other analytical fields, filmmaking isn't the same "fixed procedure." Arzu Aliyeva claims that all the stages of a documentarian's production take place according to the vision they have as a director. She explained that every production differs from the previous one.

But, all productions begin with "preproduction." It means that the director must have a solid concept of what the film will appear like before the camera starts rolling.

When you've got a clear understanding of the story behind the film, it's time to plan it. Aliyeva says that"planning" is a small word, but it has a lot of meaning. This is a good way to plan your budget, creating list of shots, outline for interviews including budgeting, scheduling, and budgeting. Arzu Aliyeva Before you turn on your camera, all of this should be done .

After you've reached your production stage , now it is time to put all the preparation you've made into action. Aliyeva reminds us all that film productions are not predictable. You can prepare more effectively than lawyers for the possibility of a class action lawsuit but things could change rapidly during the course of the production. Aliyeva explains that you have to be flexible with your production and not go against it.

After the production is completed, it's time to move on to the post-production stage. Once you've shot all the footage then you must decide which ones are worth saving. Aliyeva mentioned that the bulk of it would be left on the floor in the editing room.

Did you finish your movie? Great! Now is the time to make it available to the general public. Arzu Aliyeva says that distribution isn't something that filmmakers are taught. Except for epics with large budgets, documentary films aren't as popular. You could promote it online or try your luck with the biggest companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked if everything begins with a camera. Two significant elements are required to make a documentary, regardless of the size and budget. The documentary must be seen and heard. That means getting the best camera that you can afford and having audio aids to help people listen to the film you've presented to them.

After you've got that done, there's plenty of equipment to help you with your task of communicating your message. It all is contingent upon the type documentaries you're making. A well-designed lighting system is vital when creating a documentary based only on archive footage or interviews. If you're making a documentary with a lot of outdoor shots, it is essential to purchase an audio stabilization device and camera. devices.

Aliyeva asserts that everything is very personal and can be exchanged dependent on the kind of project. Making a plan for equipment is a vital element of budgeting during the pre-production stage.

What is the typical time it takes to make a documentary?

According to Arzu Aliyeva, the duration of your project is something that isn't set in stone. Certain projects can last several months or a few years. Aliyeva claims that it's focused on the subject matter and your enthusiasm. Documentaries usually focus on significant social issues. The documentary can aid you in following the progress of your project. https://www.hiboox.com/social-media-changed-poetry-arzu-aliyeva/ Filmmakers can enter an idea thinking it will take months, but reality can swiftly make it a few years.

Budget is another aspect that influences the length of or shortening your film. While you're in your phase of production or in the pre-production stage certain unexpected changes to your budget can occur. Aliyeva breaks it down into two scenarios:

The less likely one. You probably ate too often and spent a lot of money on production during the beginning stages. That leaves you with just a little or nothing to pay for the rest of your movie. Aliyeva believes this can be a learning moment for you as it relates to how you can keep your project running even when you have the smallest amount of money.
The less likely: This is only for filmmakers who are fortunate enough to be able to create it as Aliyeva suggests. This is when big corporations and producers discover your film and decide to invest in your film in the near future. Arzu Aliyeva This can give a massive boost to your efforts and open up possibilities you've never imagined.
Aliyeva inquires about the amount it costs to make a documentary.
Similar to the other factors discussed in this article, the cost of your film is dependent on the project. Arzu Aliyeva preaches to anyone that asks her to be very careful when planning her budget. It is vital to know your film's goals for each stage. The length of your film and how big it is will determine the price of the film.

There's no need to spend a huge budget when you're making an animated film about stories and testimonials. The more expensive the movie is, the more expensive it will cost. Many movies' costs are dependent on the location of the film production value, as well as overall investment in the features.

Aliyeva states that sometimes the cost of your vision may be more important than the vision itself. Make sure your vision is in line with your budget. https://www.instagram.com/aarzualiyeva13/
Homepage: https://www.imdb.com/name/nm5131233/