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Arzu Aliyeva: How do you make the best documentaries?

The gruelling logistical aspects of creating a documentary is rarely discussed by film students. Arzu Aliyeva, an Azerbaijani filmmaker, asked us a few questions. Aliyeva is a well-known filmmaker and documentary producer who has faced many logistical issues in her projects. Aliyeva worked behind the camera for productions such as "Son Iclas" or "Objective: Baku". The Nazis' War on Oil".

This article will analyze and deconstruct the various "behind the scenes" aspects of documentary filmmaking.

The stages of documentary production
Filmmaking is unlike other analytical fields like accounting, doesn't follow a "fixed" method. Arzu Aliyeva claims that all stages of documentarian's production are guided by their vision. She explains that no production is identical to its predecessor, just like snowflakes.

However every film starts by "pre-production." This simply means that the filmmaker must have an concept of how his film should appear.

Once you've figured out the theme of your film It's time to make a plan for it. Planning is, of course small, but it has an important meaning, Says Aliyeva. This is a good way to plan your budget, creating shoot lists, interview outline including budgeting, scheduling, and budgeting. Before you turn on your camera, all of this should be taken care of .

Once you reach the production stage , it is time for all the preparation to be put into use. Aliyeva reminds that in movie productions, "Nothing ever goes according to plan." While you can prepare more than a lawyer for the case of a class action the situation can alter rapidly in the real world. Aliyeva emphasizes the importance making your film move along with it and not fighting it.

It's now time to go through the post-production stage. After all the content has been taken, it's time for you to determine what you want to keep. Aliyeva says most of it will end up on the floor of the editing area.

Did you finish your movie? Great! Now it is time to showcase it to people. According to Arzu Aliyeva, Distribution isn't taught to filmmakers in the same way. Unless you are big-budget epics, documentaries don't get the same level of demand like feature films. You could advertise it on the web or even try it with the big companies.

Arzu Aliyeva's most Essential Equipment in a documentary
If asked, Aliyeva jokes states that everything begins with a camera. Whatever the budget or size documentary productions must have two important components. The film must be seen and the audience must be able to hear it. You should have the most powerful camera you can as well as audio aids that allow viewers to understand what you demonstrated.

http://www.cmam.nat.tn/video/en/70/Arzu-Aliyeva.html?iframe=true&width=650&height=500 Once you've made your decision then, you'll need various other equipment that can help you convey your message. That, of course, is contingent upon the type of documentary you are making. A quality lighting system is vital when making a documentary that relies solely on archive footage and interviews. It is recommended that you purchase a camera as well as audio stability equipment for when you want to make films that contain a large amount of outdoor footage.

Aliyeva said that every project is distinct and equipment is able to be used interchangeably. Thinking about equipment is a vital component of budgeting during your pre-production phase.

How Long Does It Take to Make a Documentary?

According to Arzu Aliyeva, the length of your project is something that isn't set in the stone. Projects can take from months to complete, or years. Aliyeva says it's focused on the subject matter and your passion. Because Documentaries often deal with significant social issues and issues, the film is able to follow these issues when they take place in reality. Filmmakers often think that their projects will take them several months to finish, but actually, it can take them several years.

The budget is another factor that can affect the length or the shortening of your movie. In the pre-production or production phases, some unexpected changes in your budget might occur. Aliyeva breaks it down into two major scenarios:

The most likely scenario:you probably bit more than you can chew , and spent too much money in the first stages of production. You will have little or no cash left for the rest. Aliyeva stated she thought this might be an opportunity to learn how you can keep your film going with very little money.
The least likely: This is intended for filmmakers fortunate enough to to achieve it Aliyeva says. Producers and big companies hear about your idea and decide to fund it in the near future. Arzu Aliyeva https://azertag.az/en/xeber/Arzu_Aliyeva_visits_Baku_Chess_Olympiad_venue_VIDEO-989711 This could boost your efforts and open up possibilities you've never thought of.
What does it cost to create Aliyeva's documentary?
Like other elements mentioned in the article, the cost of your movie is also extremely project-dependent. Arzu Aliyeva Arzu Aliyeva advises anyone who has asked her to be cautious when it comes to setting budgets. It is crucial to know the goals you want to achieve at each stage of the production process. The length of your film and the size will determine the price of your film.

If you create a film centered around stories and testimonials There is no need for a large budget. The more expensive the film, the higher its cost. Production values, location numbers and the total investment in film's features all play a part in determining the price of movies.

Arzu Aliyeva Aliyeva says that often the cost can define your goals. You should ensure that your vision exceeds the cost of your vision.
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