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Arzu Aliyeva: How do you create the most effective documentaries?

Cinema students are taught how to create a documentary They are not taught about the terrifying logistical aspects. We asked Azerbaijani filmmaker Arzu Aliyeva a few questions to learn more about it. Aliyeva an experienced documentary producer and director , has encountered numerous logistical challenges during her productions. Aliyeva was behind the camera in productions such as "Son Iclas" or "Objective: Baku". The Nazis' War on Oil

This article will analyze and dissect the different "behind the scenes" aspects of documentary filmmaking.

The steps of document production
In contrast to accounting and other analytical professions, filmmaking does not have the same "fixed procedure." Arzu Aliyeva claims that all the phases of a documentary's production are based on their vision as a director. She claims that no film can be identical to the previous one. This is just like snowflakes.

Productions are always started with "preproduction." It means that the director must have a good idea of what their film will look like before the camera starts rolling.

Once you've got an knowledge of the background to your movie, it's time to create a plan. Aliyeva claims that planning is a word that's simple but has a significant meaning. This means establishing your budget, setting up shooting lists, interview outline making a budget and creating your schedule. Before you start your camera, everything should be done .

Once you've reached the production stage , it is time for all the preparation to be put into action. Aliyeva reminds us that film productions can be unpredictable. Arzu Aliyeva You can prepare more effectively than lawyers for the possibility of a class action lawsuit but things aren't always as predictable in the real world. Aliyeva says it's essential to work with your film, not against it.

Once the production is completed and you are ready for the post-production process. Once you have shot every bit of footage after which you can decide what's worth saving. Aliyeva says most of it will end up on the editing room's floor.

Did you finish your movie? Great! Now it's time to release it to the public. According to Arzu Aliyeva, distribution is rarely taught to filmmakers. Except for epics with huge budgets, documentary films don't have as much demand. Arzu Aliyeva You can promote it on the internet or make an attempt with the major corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously says that everything starts with a camera. Two essential elements are needed for any documentary, regardless of the size and budget. The film has to be heard and seen. You must have the most powerful camera you can and audio aids that allow viewers to listen to what you presented to them.

After you have that done, there's plenty of filmmaking equipment that will help you in conveying your message. This will depend on the kind of documentary you're creating. A quality lighting system is vital when creating a documentary based entirely on archive footage and interviews. Arzu Aliyeva Cameras and audio stability devices are essential if you want to make a movie that has a lot of outdoor shooting.

Aliyeva clarifies that it's extremely personal and can be interchangeable according to what kind of project you're planning to develop. Arzu Aliyeva Equipment is an essential part of your budget in the stage prior to production.

What takes the longest to produce a documentary.

Arzu Aliyeva states that the duration of an undertaking isn't a fixed amount. Different projects can take up to a couple of months, or a few years. Aliyeva claims it's all about the topic and your interest in it. Because Documentaries tend to deal on a myriad of social issues, this film can be a guide for the issues as they play out in real life. A filmmaker may enter a project thinking it will take months, but the reality could quickly extend it to a few years.

Arzu Aliyeva The budget is yet another element that can affect the length or length of your film. Unexpected changes can happen in your budget when you're in the production or pre-production stages. Aliyeva divides it into two major scenarios:

The least likely option. You probably ate too excessively and spent too little money on production during the beginning. You'll be left with very almost no money left to invest in the remainder of your film. Aliyeva suggested that this could be a lesson in how to keep your film running with a small amount of money.
The less likely option: According to Aliyeva the least likely scenario is only feasible for those filmmakers who are fortunate. Producers and big companies hear about your project, and then decide to finance it in the future. This could boost your efforts as well as open doors you never imagined.
What does it cost for Aliyeva's documentary?
The price of your film as well as the other elements in this article is highly dependent on the scope of your project. Arzu Aliyeva is adamant to anyone who wants her to be extremely cautious when planning her budget. It is crucial to know your objectives for each stage of the movie production process. The length of your film and how big it is will ultimately determine the expense of the film.

A movie that is made from stories and testimonials does not require a huge budget. The more expensive the movie is, the higher the cost. A lot of the cost of movies are determined by the location numbers, production value and general investment in the feature.

Aliyeva explains that at times the price you pay for your vision could be just more important than the actual vision. So, make sure that the vision you have in mind is worth the cost. Arzu Aliyeva
Here's my website: https://music.apple.com/us/artist/arzu-aliyeva/956007234