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Arzu Aliyeva What is the best way to make the most effective documentary film?

When students of cinema learn to create a documentary but aren't taught about the perplexing logistics aspect. We have asked Azerbaijani filmmaker Arzu Aliyeva, a few questions to gain more knowledge about. Aliyeva, an experienced documentary director and producer has encountered numerous logistical challenges during her projects. Aliyeva has been behind the production of films such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will discuss and analyze the various "behind the scenes" aspects of documentary filmmaking.

The phases of documentary production
Contrary to accounting or other analytical fields, filmmaking isn't any "fixed process." Arzu Aliyeva states that all elements of a documentarian's work follow their own vision as a director. She explained that every production is different from its predecessor.

However every film starts by "pre-production." This means the filmmaker should already have a fairly good concept of how his film should look.

After you've realized what your movie is about and what it's about, you need to organize it in a way that is suitable. Aliyeva says that"planning" is a very small word, but it has a lot of meaning. It includes planning your budget, making shoot lists, interview outline including budgeting, scheduling, and budgeting. All of this has to be completed prior to turning on the camera.

Once you've made it to the stage of production , it's time to put all your preparation into action. Aliyeva reminds us that an important rule of thumb in film productions is that "Nothing is ever as it was scheduled." It is possible that you prepared better than a lawyer before an action in a class but things can swiftly change in practice. Aliyeva stresses that you must to evolve with your movie and not try to rewrite it.

It is now time for the post-production stage. Once all the material has been captured, it's now time for you to determine what should be preserved. Aliyeva explained that the majority of it will be left in the editing room.

Did you finish your movie? Great! Now it is time to share it with people. According to Arzu Aliyeva, Distribution is rarely taught to filmmakers. If they're not epics with large budgets, documentary films don't have as much demand. It could be promoted online or you can try your luck at the big corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked if everything begins with a camera. Two essential elements are needed for any documentary, regardless of size and the budget. The film has to be seen, and the audience should be able to hear it. That means investing in the top camera available and audio aids that assist people in absorbing what you've just presented them.

Once that's settled Once that is settled, there are numerous other tools for filmmaking that can assist you in communicating your message. It's all dependent on the type of documentary you're making. If you're creating the documentary solely from interviews or archives, it will be advantageous having a great lighting. A camera as well as audio stability devices are crucial if you intend to make a film that involves a lot of outdoors shooting.

Aliyeva states that all of it is very personal and can be swapped dependent on the kind of project. Thinking about equipment is a crucial part of the budget division in your pre-production phase.

What is the typical time to produce a documentary?

Arzu Aliyeva says that there isn't any set length for a particular project. Many projects take up to a couple of months, or several years. Aliyeva says it's all dependent on the topic and your passion. Because Documentaries tend to deal with a variety of important social issues, the movie manages to escort them through the real world. A filmmaker can go into a project thinking it will take months, but the reality could swiftly make it a few years.

Budget is another aspect which can impact the length or length of your film. Unexpected changes can happen in your budget when you are in the pre-production or production phases. Aliyeva divides it into two broad scenarios.

The least likely option. You probably ate too often and spent a lot of money on production during the early stages. You'll have very little or no cash left for the rest. Aliyeva suggested that this could be an opportunity to learn how you can keep your film going with very little money.
The less likely one:The less likely scenario is only possible for the luckiest of filmmakers, according to Aliyeva. Producers and big companies hear about your project, and decide to finance it in the near future. This could be a major boost for your efforts and offer you opportunities you may not have thought of.
What will it cost to produce Aliyeva's documentary?
The cost of your movie as well as the other elements mentioned in this article, is project dependent. Arzu Aliyeva counsels anyone who asks that she be careful when planning budgets. It is vital to know the exact goals you have set for every stage of your film. Your film's length and its size will determine how much it will cost.

If you create a film that is based on stories and testimonials, there isn't much need to have a huge budget. The bigger the movie-the higher the price. The costs of many films are affected by the location number along with the production cost and the total investment in the features.

Aliyeva believes that your vision is usually defined by cost. Also, make sure the vision justifies your costs.
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