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Arzu Aliyeva: How can you make the most compelling documentary movies?

When cinema students learn how to make a documentary film they're not taught about the dreadful logistics aspect. We have asked Azerbaijani filmmaker Arzu Aliyeva, a few questions to learn more about it. Aliyeva is well-known documentary producer and director has encountered many logistical obstacles in her work. Aliyeva worked behind the director's chair on productions such as Son Iclas" and "Objective: Baku. The Nazis' War on Oil

This article will examine and analyze the various "behind the scenes" aspects of documentary filmmaking.

The phases of documentary film production
Contrary to accounting or other analytical professions, filmmaking does not have the same "fixed procedure." Arzu Aliyeva claims that all the steps of a documentary's making follow their own vision as a director. She states that no production is exactly the same as its predecessor, just as snowflakes.

However, every film starts with "pre-production." This simply means that before a camera begins to roll, the filmmaker needs to have an idea of how his film should appear.

After you've realized what the film is about It's time to plan it accordingly. Planning is, obviously tiny word with an important meaning, Says Aliyeva. It involves scheduling, planning the budget, interview outline creating your schedule and creating list of shots. All of this has to be completed before turning to the camera.

When you've reached the production stage , now it is time to put the preparation you've made into action. Aliyeva reminds that in movie productions, "Nothing ever goes according to plans." Even though you're able to prepare more than a lawyer in the event of a class-action lawsuit however, things could change drastically in actual practice. Aliyeva emphasizes the importance of moving along with the film and not fighting it.

When the production is complete, it is time to begin the post-production process. After you've shot all of the footage, it is time to examine what's worthy of preservation. Aliyeva explained that the majority of it would be left in the editing room.

Did you finish your movie? Great! Now is the time to expose it to the world. Arzu Aliyeva has stated that filmmakers do not learn how to market their work. Arzu Aliyeva Documentaries don't enjoy the same appeal like feature films unless they're big-budget epics. You could advertise it on the web or make an attempt with the major corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes about how everything starts by using a camera once she is asked. Two essential elements are needed to make a documentary, regardless of size and the budget. The film needs to be watched by the audience, and they must be able to hear it. That means getting the best camera you can get and using audio aids to help people listen to the footage you've presented them.

Once you've made your decision, you can find many more tools to aid you in conveying your message. That, of course, depends on the kind of documentary you are making. If you're creating the documentary solely from interviews or archives, it will be beneficial to have an excellent lighting. http://abrek.org/user/Arzu-Aliyevalcln880/ If you're making a film with a lot of outdoor shooting, you must invest in a camera and audio stability equipment.

Aliyeva states that all of it is personal and may be interchanged dependent on the kind of project. Equipment is an important part of your budget in the phase prior to production.

How Long Does It Take to Make a Documentary?

Arzu Aliyeva says that there is no set length for a project. Projects can take months to complete, or even years. Aliyeva asserts that it is focused on the subject matter and your passion. Documentaries usually focus on significant social issues. The film will help you track the progress of your project. A filmmaker can go into the project believing it will take months, however, reality can swiftly extend the time to several years.

Another thing that can either reduce or increase the length of your film is the budget. Unexpected changes can happen in your budget when you are in the pre-production or production phases. Aliyeva breaks it down into two major scenarios.

The least likely option. You probably ate too excessively and spent too little money on production during the beginning. The film will likely have less or nothing left to cover the remainder. Aliyeva believes that this could be a lesson for you in terms of how you can keep your project running even when you have only a small amount of money.
The less probable one:The less likely scenario can happen only to the luckiest filmmakers according to Aliyeva. Producers and large corporations hear about your project, and then decide to finance it in the near future. This can be a huge boost to your efforts and provide opportunities that you might not have dreamed of.
How much will it cost you to make Aliyeva's documentary?
Like the other aspects mentioned in the article , price of your movie could be extremely project-dependent. Arzu Aliyeva https://leftoverbs.com/user/profile/742184 Arzu Aliyeva counsels anyone who wants to know to be wary of budgeting. It is vital to establish clear goals in each phase of your film. The length of your film as well as its size will determine the amount it will cost.

If you create a film with a focus on testimonials and stories you don't have much requirement for a huge budget. The cost of a film is determined by its size. Arzu Aliyeva Locations, production costs and the total investment in film's features all play a factor in determining the cost of movies.

Aliyeva says that sometimes the cost determines your goals. So, make sure that your vision is in line with your budget.
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