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Arzu Aliyeva How do you make the most effective documentary film?

The haunting logistical aspect of creating a documentary film is often not discussed by film students. Arzu Aliyeva, an Azerbaijani filmmaker asked us some questions. Aliyeva an experienced documentary producer and director , has had to overcome many logistical obstacles in her work. Aliyeva worked behind the camera in productions such as "Son Iclas" or "Objective: Baku". The Nazis' War on Oil

This article will examine the various aspects of documentary filmmaking.

The stages of documentary production
As opposed to accounting, or other similar professions, filmmaking doesn't have any "fixed process." Arzu Aliyeva claims that all the stages of a documentarian's production are based on their vision as director. She says that no film is identical to its predecessor, just like snowflakes.

However, every production begins with "preproduction." It means that the filmmaker must have a good idea of what his film will look like before the camera begins to roll.

Once you've got an idea of the plot of the film, you're ready to organize it. Planning is, of course tiny word with an important meaning, Says Aliyeva. It involves preparing your budget, preparing list of shots, outline for interviews making a budget, and creating your schedule. Before turning on your camera, this must be completed .

When you've reached the stage of production , it's time to put all the preparation you've made into practice. Aliyeva reminds us all that movies aren't always predictable. Arzu Aliyeva Arzu Aliyeva You can prepare better than a lawyer in the class action lawsuit, but things aren't always as predictable in practice. Aliyeva stresses the importance of following the direction of your movie and not arguing against it.

Once the production is completed then it's time for the post-production process. Once you've finished shooting all of the footage and have decided what is worth saving. Aliyeva said that the majority of it would remain in the editing room.

Did you finish your movie? Great! Now it's time to release it to the general public. Arzu Aliyeva Arzu Aliyeva says that filmmakers do not learn how to market their work. If you're not big-budget epics documentary films don't have the same level of demand like feature films. It's possible to advertise it on the web or with large corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
When Asked, Aliyeva jokingly says that everything starts with the camera. Whatever the size or budget, documentary productions require two key components. The film has to be seen and heard. That's why you should get the most effective camera available as well as audio aids to assist people in absorbing the content you've just presented to them.

After you've got that set, there's a lot more equipment for filmmaking that can help you with your task of conveying your message. It will depend on the type of documentary you're making. It is helpful if you had good lighting to make a documentary solely based on interviews or archive footage. A camera as well as audio stability devices are vital if you plan to create a film which includes lots of outdoors shooting.

Aliyeva asserts that everything is personal and can be swapped in accordance with the type of project. Equipment is a significant part of your budget in the stage prior to production.

How long does it take to make a documentary?

Arzu Aliyeva claims that there is no set duration for a project. Some projects may last for several months, while others may take years. Aliyeva says it's all dependent on the topic and your enthusiasm. Arzu Aliyeva Documentaries often deal with important social issues . The film will help you track the progress. A filmmaker can go into an undertaking thinking that it will take him several months, however, reality can quickly extend it to a few years.

Budget can also affect the length or duration of your film will run. If you're in the phase of production or in the pre-production stage there are unforeseen changes to your budget can happen. Aliyeva breaks it down into two basic situations.

The less likely choice. You probably ate too much and spent too little money on production during the beginning. There will be little or nothing left to cover the remainder. Aliyeva says this can be a teaching moment in finding out the best way to keep your film alive even with a small amount of money.
The less probable one: According to Aliyeva the least likely scenario is only available to those filmmakers who are fortunate. This is where producers and big companies hear about your idea and decide to fund it in the future. This could help your efforts as well as open possibilities you've never thought of.
What does it cost for Aliyeva's documentary?
As with the other aspects discussed in this article, the price of your film is highly project-dependent. Arzu Aliyeva advises anyone who asks that she be cautious about budget planning. It is vital to understand your movie's objectives for each stage. The length of your film and its magnitude eventually determine how much your film will cost.

If you make a movie focused on testimonials and stories There is no need for a big budget. The cost of a movie is determined by the size of the film. Production values, location numbers as well as the overall cost of film's features all play a factor in determining the cost of movies.

https://dud.edu.in/darulifta/?qa=user/arzu-aliyevaujwg082 Aliyeva believes that the cost determines your goals. You must ensure that your vision worthy of the expense.
My Website: http://abrek.org/user/Arzu-Aliyevaiqwr197/