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The haunting logistical aspect of creating a documentary film is rarely taught by film students. Arzu Aliyeva is an Azerbaijani filmmaker asked us some questions. Aliyeva is well-known documentary producer and director has faced many logistical hurdles in her projects. Aliyeva has worked behind the scenes of documentaries like "Son Iclas" (and "Objective Baku). Hitler's War on Oil".
This article will explore and analyze the "behind-the scenes" aspects of documentary filmmaking.
The phases of documentary production
Contrary to accounting or other analytical professions, filmmaking doesn't have any "fixed process." Arzu Aliyeva claims that all the elements of a documentarian's work unfold according to their vision as a director. The director claims that every film is the same as its predecessor. This is just like snowflakes.
Arzu Aliyeva However the production process begins by "pre-production." This simply means the filmmaker should have a good idea about how his film will look.
When you've got a clear knowledge of the background to the film, it's time to organize it. Planning is, obviously small, but it has a significant meaning behind it, Says Aliyeva. Planning involves planning, scheduling, budgeting, interview outlines and preparing your schedule and preparing shooting lists. All this must be completed before you turn to the camera.
Once you've reached the production stage , now it is time to put all your preparation into practice. Aliyeva reminds us, an iron rule in movie productions is that "Nothing can ever go as scheduled." It is possible that you prepared better than a lawyer for any class action, but everything can quickly change in practice. Aliyeva emphasizes the importance making your film move along with it and not fighting it.
Once the production is completed and you are ready for the post-production process. After you've shot all of the footage, it is time to decide what's worth saving. Aliyeva states that most of it will be left on the floor of the editing area.
Did you finish your movie? Great! Now is the time to open it to the general public. Arzu Aliyeva said that filmmakers rarely learn how to market their work. Unless you are big-budget epics documentaries do not have the same attention as feature movies. You can promote it on the internet or collaborate with big corporations.
Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva smiles when asked if the entire process begins with a camcorder. No matter the size or budget, documentary productions require two essential elements. The film should be seen and the viewers must be able to hear it. Arzu Aliyeva This means that you require the highest quality camera and audio aids to ensure that viewers can understand what you have just shown.
After you've decided you've made your decision, you can get many more tools to aid in delivering your message. It will depend on the type of documentary that you are making. If you're creating the documentary solely from interviews or archive footage, it'd be a benefit to have good lighting. You must invest in a camera , as well as audio stability equipment in case you are planning to create an entire film that includes a lot of outdoor footage.
Aliyeva states that it's extremely personal and can be interchangeable dependent on the kind of project you're planning on creating. Pre-production is not complete without thinking about equipment.
What is the standard duration for making a documentary?
Arzu Aliyeva declares that the length the project is not an absolute amount. Many projects take several months or a few years. Aliyeva says it's focused on the subject matter and your love for it. Because Documentaries tend to deal with numerous social issues, the film is able to convey them as they unfold in the real world. It's possible for a filmmaker to think that a film will run several months. But, the reality can quickly make it take several years.
Another factor that could reduce or increase the length of your film is the budget. Unexpected changes to your budget can occur during pre-production or production. Aliyeva splits it into two scenarios.
The least likely option. You probably ate too much and spent too little money on production in the beginning. You will have little or no money left over to cover the remainder. Aliyeva believes this can be a learning experience for you as it relates to how you can keep your film alive , even though you have just a little cash.
The less likely: This is for filmmakers lucky enough to to realize their dream, Aliyeva says. Arzu Aliyeva These are the areas where large companies and producers get to know about your project and determine whether they will fund the project in the future. This could provide a significant boost to your project and offer you opportunities that you've never thought of.
Aliyeva inquires about the amount it will cost to create documentary.
As with the other aspects discussed in this article, the cost of your movie is also very project-dependent. Arzu Aliyeva urges everyone who inquires about her to be mindful when it comes to making budgets. It is vital to establish clear goals in each phase of your film. The length of your film and how big it is will determine the price of your film.
Arzu Aliyeva If you create a film centered around stories and testimonials it's not a need for a large budget. The more costly the film is, the higher the cost. The cost of movies is dependent on the location of the film along with the production cost and the overall investment in features.
Arzu Aliyeva Aliyeva says sometimes, the cost determines your goals. Make sure the vision justifies your costs.
Homepage: https://bezvoprosa.ru/user/arzu-aliyevawznu376
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