Notes

Arzu Aliyeva: How to create the most effective documentary film

Cinema students learn how to make a documentary but not the emotional and logistical aspects. We have asked Azerbaijani filmmaker Arzu Aliyeva to find out more about. Aliyeva is a seasoned documentary director and producer has faced many logistical challenges in her work. Aliyeva worked behind the camera in films such as "Son Iclas" or "Objective: Baku". The Nazis' War on Oil".

This article will examine and explore various aspects of documentary filmmaking.

The film production process
Filmmaking is unlike other analytical fields like accounting, does not have a "fixed" method. Arzu Aliyeva asserts that every step of a documentarian’s production are guided by their vision. The director claims that every film can be identical to the previous one. This is similar to snowflakes.

Even still, every production begins by completing "pre-production." This means that before a camera is able to begin filming the filmmaker must have an idea of how his film should look.

Once you've got an knowledge of the background to the film, it's time to plan it. Aliyeva believes that planning is a simple word that has a significant meaning. It involves preparing your budget, setting up list of shots, outline for interviews and calculating the budget, and establishing your schedule. All of this must be done in HTML0before turning on your camera.

Once you've made it to the production stage , it's time to put all of your preparation into practice. Aliyeva reminds us all that movies aren't always predictable. You can prepare better than a lawyer to file an action in a class, but things can change quickly during the course of the production. Aliyeva stresses that you must to change with your movie and not be averse to it.

After production is finished and you are ready to move on to the post-production process. Once you've taken all of the footage, it is time to decide what's worth saving. Aliyeva said that the majority of the film will be stored on the floor of her editing space.

Did you finish your movie? Great! Now it's time to make it accessible to the general public. Arzu Aliyeva said that distribution is not something filmmakers learn. Except for epics with big budgets documentaries do not have the same level of demand like feature films. The film could be promoted online or you can test your luck with the major companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva is jolly when asked if the entire process begins with a camcorder. Documentaries require two fundamental elements, regardless size or budget. The film has to be seen and heard. That means getting the best camera available and using audio aids to assist people in absorbing the footage you've shown them.

Once you've settled on that then, you'll need various other equipment that can aid you in conveying your message. Of course, it will depend on the type of documentary you're making. If you are making a documentary purely from interviews or archive footage, it would be beneficial to have a good lighting. A camera and audio stability device are crucial if you intend to create a film that includes a lot outdoor shooting.

Aliyeva states that all of it is very personal and can be interchanged according to the nature of project. Pre-production is not complete without thinking about the equipment.

How Much Time Does It Take to create a documentary?

According to Arzu Aliyeva the length of your project is something that is never set in stone. Different projects can take just a few months or a few years. Aliyeva says it all depends on the subject matter and your interest. Because Documentaries tend to deal with numerous social issues, the film can be a guide for them through real life. Filmmakers can think a project would take a few months to finish, however, in reality , it could take them several years.

Budget also influences how long or short your film is. Unexpected budget changes could occur during pre-production as well as production. Aliyeva divides it into two major scenarios:

The less likely choice. You probably ate too much and spent too little money on production during the beginning. It leaves you with the least amount of money available to spend on the remaining part of your movie. Aliyeva said she thought this might be a valuable lesson in how to keep your film going with very little money.
The less likely one: According to Aliyeva the less likely scenario is only possible for those filmmakers who are fortunate. It is also where large corporations and producers learn about your idea and decide to fund your project in the near future. This could give a huge boost to your project and offer you opportunities you've never imagined.
How much will it cost you to make Aliyeva's documentary?
The cost of your film, like the other elements in this post, is largely project dependent. Arzu Aliyeva advises anyone who wants to know her advice to be cautious when it comes to making budgets. It is vital to know precisely your goals in each film stage. The length of your film as well as the size of it will decide how much it will cost.

There's no need to spend a huge budget to make a movie about stories and testimonials. The larger the film, the higher the cost. Production values, location numbers as well as the overall cost of films' features all play a role in setting the cost of movies.

Aliyeva believes that your vision is often defined by price. You must ensure that your vision worthy of the expense.
My Website: