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Arzu Aliyeva: How do you make the most compelling documentaries?

When cinema students learn to create a documentary but aren't taught about the haunting logistical aspect. Arzu Aliyeva is an Azerbaijani filmmaker, asked us a few questions. Arzu Aliyeva Aliyeva, an experienced documentary producer and director , has encountered many logistical hurdles in her projects. Aliyeva sat behind the director's chair for productions such as Son Iclas" and "Objective: Baku. Hitler's War on Oil

This article will look at and examine the "behind-the scenes" aspects of documentary filmmaking.

The film production process
Filmmaking is, unlike other professions that require analysis like accounting, does not have the luxury of a "fixed" process. Arzu Aliyeva claims that all stages of documentarian's production are governed by their ideas. She explained that each film differs from the previous one.

But, even so, every production starts with "pre-production." That simply implies that the director must already have a fairly good concept of how his film will appear.

Arzu Aliyeva Once you've figured out what the film is about then it's time to plan it out. https://mooc.elte.hu/eportfolios/2278390/Home/Leyla_Aliyeva_VicePresident_and_Arzu_Aliyeva_VicePresident_visit_various_facilities_in_Baku_ Aliyeva states that planning is a tiny word, but it holds a great deal of meaning. This is a good way to plan your budget, creating list of shots, outline for interviews as well as budgeting and scheduling. Before you start your camera, this must be completed .

Once you've made it to the production stage , it's time to put all of the preparation you've made into practice. Aliyeva reminds you that in movie productions, "Nothing ever goes according to the plan." Even though you're able to prepare more than a lawyer in an action case, things can change rapidly in the real world. Aliyeva emphasizes the importance making your film move along with it and not arguing against it.

After production is finished the time has come to begin the post-production process. Once you have shot every bit of footage and are ready to decide what's worth saving. Aliyeva says the majority of the footage will be kept on the floor of her editing room.

Did you finish your movie? Great! Now is the time to show it to the world. Arzu Aliyeva has stated that filmmakers do not learn how to distribute. Documentaries don't have the same appeal as feature films unless they are big-budget epics. It's possible to promote it on the internet or collaborate with big corporations.

Arzu Aliyeva Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva smiles when asked if the entire process begins with a camcorder. No matter the size or budget documentary productions have two crucial elements. The film has to be viewed and heard. This means that you need the top camera and audio aids so viewers can understand the film you just showed.

Once you've done, there's plenty of filmmaking equipment that will help you with your task of communicating your message. Of course, it is contingent upon the type of documentary you're creating. If you're creating a documentary purely from interviews or archive footage, it would be beneficial to have a good lighting. A camera and audio stability devices are necessary if you wish to create a documentary which includes lots of outdoor shooting.

Aliyeva says that it's all very personal and interchangeable according to what kind of project you are planning to create. Pre-production can't be complete without thinking about the equipment.

What takes the longest for a documentary.

Arzu Aliyeva Arzu Aliyeva says that the length of the project is not an exact amount. Projects can take months to complete, or years. Aliyeva says that it all depends on the subject matter and your enthusiasm. Documentaries are often about important social issues . The movie can help you follow the development of their projects. Filmmakers can enter an idea thinking it will take months, but the reality could quickly extend it to a few years.

The budget is yet another element which can impact the length or length of your movie. Unexpected budget changes can occur during pre-production or production. Aliyeva breaks it down into two basic scenarios.

The less likely choice. Arzu Aliyeva You probably ate too excessively and spent too little money on production during the early stages. Arzu Aliyeva That leaves you with only a small amount of money to fund the remainder of your film. Aliyeva stated she thought this might be an opportunity to learn how you can keep your film going with very little money.
The less likely scenario: According to Aliyeva, the less likely scenario is only feasible for the most fortunate filmmakers. These are the places that producers and large corporations review your work and decide whether to fund the project in the near future. This can give a massive boost to your efforts and open up possibilities you've never imagined.
How much will it cost you for Aliyeva's documentary?
Similar to the other factors discussed in the article, the cost of your film is highly project-dependent. Arzu Aliyeva teaches anyone that asks her to be very prudent when determining her budget. It is important to understand your goals in each phase of your film. The length of your film and the size will ultimately determine the cost of the film.

If you create a film that is based on stories and testimonials you don't have much need to have a huge budget. The more costly the film is, the more expensive it will cost. Locations, production costs and the overall investment in the film's features all play a key role in determining the costs of movies.

Aliyeva says that in some cases the price of your vision can be as important as the actual vision. You must ensure that your vision worth the cost. Arzu Aliyeva
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