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Arzu Aliyeva: How do you make the most effective documentary film?

When cinema students learn to make a documentary film They are not taught about the dreadful logistical aspects. Arzu Aliyeva who is an Azerbaijani filmmaker asked us some questions. Aliyeva an experienced documentary producer and director , has faced many logistical challenges in her projects. Aliyeva was the camera for productions like "Son Iclas" or "Objective: Baku". The Nazis' War on Oil

This article will examine and dissect different aspects of making documentary films.

The stages of documentary film production
In contrast to accounting and other analytical fields, filmmaking isn't the same "fixed process." Arzu Aliyeva states that all stages of a documentarian's production take place according to the vision they have as director. She explains that no production will be the same as the predecessor, just like snowflakes.

Productions are always started with "preproduction." This means that the filmmaker must have a good concept of what the film will look like before the camera begins to roll.

After you've decided the subject matter of your film It's time to plan it accordingly. Aliyeva claims that planning is a word that's simple but is a powerful word. It means building your budget, setting up list of shots, outline for interviews, working out the budget, and building your schedule. All of this must be done bybefore switching on your camera.

Once you have reached the final stage of production , now it is time to put your preparation into practice. Aliyeva reminds us that the iron rule in movie productions is that "Nothing can ever go as scheduled." You could have done better than a lawyer for the class action lawsuit, but everything can quickly shift in the context of the case. Aliyeva says it's crucial to collaborate with your film and not against it.

Once the production has been completed the time has come to move on to the post-production phase. When you've completed shooting all of the footage, it's time to decide what's important to save. Aliyeva says the majority of the material will be stored in her editing room.

Did you finish your movie? Great! Now is the time to release it to the general public. Arzu Aliyeva says distribution is not something filmmakers learn. Other than epics with huge budgets documentaries do not have the same level of demand as feature movies. They could be promoted on the internet or you can try it out at major companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that everything starts with a camera whenever she is asked. Arzu Aliyeva Two significant elements are required in any documentary regardless of size and the budget. The film needs to be seen and heard. This means you'll need the highest quality camera and audio aids so viewers can understand what you've shown.

Once you've established, you'll need more equipment to help you in conveying your message. Arzu Aliyeva It will all depend on the kind of documentary you're creating. A reliable lighting system is necessary for making a documentary that relies entirely on archive footage and interviews. You should consider investing in a camera as well as audio stability devices in case you are planning to create the film with lots of outdoor footage.

Aliyeva states that it's extremely personal and can be interchangeable dependent on the kind of project you're planning to develop. It is a crucial aspect of the budget division during the pre-production phase.

What is the standard time it takes to make a documentary?

Arzu Aliyeva claims that the length of an undertaking isn't the same as a set amount. Projects can take from months to finish, or years. Aliyeva claims that it is all about the topic and your passion for it. Because Documentaries tend to deal with many important social issues, the film manages to escort these issues in the real world. It is common for a filmmaker to think that a film will run many months. But, reality could quickly mean that it will take several years.

The budget is yet another element that can affect the length or length of your movie. Arzu Aliyeva In the stages of production or pre-production certain unexpected changes to the budget may happen. Aliyeva breaks it down into two basic situations.

The less likely version. You probably ate too excessively and spent too little money on production at the beginning stages. Thus, leaving you just a little or nothing to pay for the rest of your movie. Aliyeva says this can be a teaching moment in figuring out how you keep your film going without spending a dime.
The less likely one: According to Aliyeva the less likely scenario is only feasible for the most fortunate filmmakers. These are the places that producers and large corporations are able to learn about your project and decide if they want to finance the project in the near future. This could help your efforts and open up doors you never imagined.
https://www.kickstarter.com/profile/2131141655/about How much will it cost you to produce Aliyeva's documentary?
The price of your film along with the other elements in this post, is largely dependent on your project. Arzu Aliyeva preaches to anyone that asks her to be extremely prudent when planning the budget. It is vital to establish clear movie goals for each stage. The length of your movie and its magnitude eventually determine how much your film will cost.

You don't need a huge budget if you are making a film that is based on stories and testimonials. The more costly the film is, the higher the cost. A lot of the cost of movies are affected by the location number along with the production cost and the general investment in the feature.

Arzu Aliyeva Aliyeva explains that at times the price you pay for your vision can be as important as the actual vision. It is important to ensure that your vision outweighs your expenditures.
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