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Arzu Aliyeva: How do you make the best documentary film?

Cinema students learn how to make a documentary film but not the emotional and logistical aspects. We have asked Azerbaijani filmmaker, Arzu Aliyeva a few questions to get more information about it. Aliyeva is a well-known filmmaker as well as documentary producer, who has encountered numerous logistical hurdles when working on her projects. Aliyeva has sat in the director's chair in productions like Son Iclas" and "Objective: Baku. Arzu Aliyeva The Nazis' War on Oil

This article will examine and examine the "behind-the scenes" aspects of documentary filmmaking.

The film production process
Filmmaking is unlike other analytical fields such as accounting, doesn't have an "fixed" process. Arzu Aliyeva states that every stage of a documentarian’s production are governed by their own vision. She claims that no film can be identical to the previous one. It's like snowflakes.

Every production starts by completing "pre-production." https://rocketreach.co/arzu-aliyeva-email_48547861 This means that prior to the camera can begin to shoot the filmmaker must have an idea of how the film will appear.

Now it is time to begin planning your film. Aliyeva says that planning is a very small word, but it holds a great deal of significance. Planning involves planning, scheduling, budgeting, interview outlines and preparing your schedule and setting up shooting lists. All of this needs to be completed before turning on the camera.

After you've reached your final stage of production , now it is time to put your planning into action. Aliyeva reminds movie productions, "Nothing ever goes according to schedule." Although you may make more preparation than a lawyer in an action case however, things could change drastically in the real world. Aliyeva emphasizes the importance moving along with the film and not arguing against it.

Once production is complete the time has come to begin the post-production phase. Once you have shot all of the footage and are ready to examine what's worthy of preservation. Aliyeva said that the majority of the content will be stored on the floor of her editing room.

Arzu Aliyeva Did you finish your movie? Great! Now it is time to present it to people. According to Arzu Aliyeva, Distribution is not often taught to filmmakers. Documentaries don't enjoy the same amount of demand as feature films , unless they're big-budget epics. It's possible to advertise it on the web or with large companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that all things begin by using a camera once she's asked. Whatever the size or budget, documentary productions require two essential elements. The film has to be seen and heard. You should have the most powerful camera you can as well as audio aids that allow viewers to be able to hear what you demonstrated.

Once you have that settled Once that is settled, there are numerous other filmmaking tools that will help you communicate your message. This will depend on the kind of documentary you're making. It's helpful if were able to create good lighting films based entirely on interviews and archive footage. Cameras and audio stability equipment are crucial if you intend to create a documentary that includes a lot outdoor shooting.

Aliyeva states that it's all very personal and interchangeable dependent on the kind of project you're planning on creating. It is an essential component of budgeting during your pre-production phase.

What is the longest time to create a documentary.

According to Arzu Aliyeva the length of your project cannot be set in stone. Some projects may last for several months, others can take months. Aliyeva says it all depends on the topic and your enthusiasm. Because Documentaries tend to deal on a myriad of social issues, this film allows you to follow the issues as they play out in real life. The filmmaker might enter an idea thinking it will take months, but reality can swiftly make it a few years.

Another element that can shorten or lengthen your movie is your budget. Unexpected adjustments to your budget could occur during pre-production as well as production. Aliyeva breaks it down into two major scenarios.

The more likely version:you probably bit more than you could chew and spent too much cash in the beginning stages of film production. There will be little or no money left over to cover the remainder. Aliyeva claims this can be a learning experience in the best way to keep your film running without spending a dime.
The least likely This is intended for filmmakers fortunate enough to be able to achieve it, Aliyeva says. This is the time when large companies and producers are informed about the project and decide to fund your movie in the future. This can boost your efforts and open up possibilities you've never thought of.
How much will it cost you to create Aliyeva's documentary?
Like the other elements discussed in the article, the cost of your movie is also extremely project-dependent. Arzu Aliyeva Arzu Aliyeva encourages everyone who wants to know her advice to be careful when budgeting. Arzu Aliyeva It is crucial to understand exactly what you want to accomplish at every movie stage. The length of your film and its size will determine how much it will cost.

There's no need to spend a huge budget if you are making a film that is based on stories and testimonials. The cost of a movie is determined by the size of the film. The price of many movies will ultimately be determined by the location numbers, production values as well as the total expenditure on the film's main features.

Aliyeva says that in some cases the price of your vision could be just as important as the actual vision. You should ensure that your vision does not outweigh your expenses.
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