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Arzu Aliyeva: How do you create the top documentaries?

The perplexing logistics aspect of making a documentary is often not addressed by students of cinema. We asked Azerbaijani filmmaker Arzu Aliyeva to find out more about. Aliyeva is well-known filmmaker as well as documentary producer, who has encountered numerous logistical difficulties in her projects. Arzu Aliyeva Aliyeva worked behind the camera in films like "Son Iclas" or "Objective: Baku". Hitler's War on Oil".

This article will look at and analyze the "behind-the scenes" aspects of documentary filmmaking.

The stages of documentary film production
As opposed to accounting, or other similar fields, filmmaking isn't any "fixed process." Arzu Aliyeva states that all stages of a documentarian's production unfold according to their vision as director. She says that no production is identical to its predecessor. This is similar to snowflakes.

However, productions always begin with "preproduction." It simply means that the filmmaker must have a solid idea of what their film will appear like before the camera starts rolling.

Arzu Aliyeva It is now time to begin planning your film. Aliyeva says that planning is a very tiny word, but it holds a great deal of meaning. Planning is planning, scheduling budgeting, creating interview outline, building your schedule, and setting up shots lists. Arzu Aliyeva All of this should be done before you even start.before turning on your camera.

Once you reach the production stage , it is the time for all your planning to be put into use. Arzu Aliyeva Aliyeva reminds movie productions, "Nothing ever goes according to the plan." Arzu Aliyeva While you can prepare more than a lawyer for a class-action case but things may change quickly when you're actually doing it. Aliyeva emphasizes that it's essential to work with your film, not against it.

Once the production is completed the time has come for the post-production process. After you have finished shooting all the footage and have decided what is worth saving. Aliyeva explained that the majority of it would be left in the editing room.

Did you finish your movie? Great! Now is the time to share it with the world. According to Arzu Aliyeva, distribution is rarely taught to filmmakers. Documentaries don't have the same popularity as feature films unless they're big-budget epics. It is possible to promote it online or try your luck with the biggest companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked if all things begin with a camcorder. Two crucial elements are essential for any documentary, regardless of size and the budget. The film should be seen, and the audience should be able to hear it. You must have the most powerful camera you can as well as audio aids that allow viewers to understand what you shown them.

Once you've made your decision after that, you'll be able to find many more tools to assist you in communicating your message. Arzu Aliyeva It is dependent on the kind of documentary you're creating. Arzu Aliyeva It would help if you had good lighting to make an entire documentary based solely on interviews or archive footage. It is recommended that you invest in a camera as and audio stability devices if you plan to make films that contain a large amount of outdoor shots.

Aliyeva says that it's completely individual and can be swapped according to what kind of project you plan to make. Equipment is an essential part of your budget during the phase prior to production.

What is the longest time it takes to produce a documentary.

According to Arzu Aliyeva the length of your project isn't set in the concrete. The duration of projects can vary from months to complete, or even years. Aliyeva says it's all about the topic and your enthusiasm for it. Since documentaries are often concerned with social issues that are important The film has the ability to follow them as they unfold in the real world. It is common for a filmmaker to believe that a film will run some time. But, the reality can rapidly make it take a few years.

The budget can also influence the length or duration of your movie runs. While you're in your stage of pre-production or production certain unexpected changes to your budget could occur. Aliyeva breaks it down into two main situations.

Most likely,you probably ate more food than you can chew and have spent too much money in the beginning stages of production. There will be little or no cash left for the rest. Aliyeva believes this could be a teaching moment in finding out the best way to keep your film alive without spending a dime.
The less likely: This scenario is only for filmmakers who are fortunate enough to to achieve it according to Aliyeva. Producers and major companies learn about your project, and decide to invest in it in the near future. This can be a huge boost for your efforts as well as provide opportunities that you might not have imagined.
Aliyeva wants to know how much it will cost to create a documentary.
The cost of your film along with the other elements in this post, is largely project dependent. Arzu Aliyeva is adamant to anyone who asks her advice to be very prudent when planning the budget. It is essential to know your film's goals for each stage. How long your movie is and how big it is will determine the price of the film.

If you're making a film focused on testimonials and stories, there isn't much need to have a huge budget. Arzu Aliyeva http://util71.ru/user/Arzu-Aliyevaqvis286/ The cost of a movie is determined by the size of the film. The cost of many films is eventually set by location numbers, production values, and the overall budget for the film's featurettes.

Aliyeva states that sometimes the price of your vision can be more important than the vision itself. Therefore, ensure that your vision is in line with your budget.
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