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The perplexing logistics aspect of creating a documentary film is not often covered by cinema students. We've asked Azerbaijani filmmaker, Arzu Aliyeva some questions to find out more about. Aliyeva is well-known filmmaker and documentary producer who has faced many logistical challenges when working on her projects. Aliyeva has been behind the filming of projects like "Son Iclas" (and "Objective Baku). The Nazis' War on Oil".
This article will investigate the various aspects of making documentary films.
The phases of documentary film production
Filmmaking is not the same as other analytical fields such as finance or accounting. Arzu Aliyeva Arzu Aliyeva affirms that every step of a documentary's production follows their concept which they have set forth as director. She says that no film is the same as its predecessor, similar to snowflakes.
Every production begins by completing "pre-production." It simply means that prior to the camera begins to roll, the filmmaker needs to be able to form an opinion of how their film should look.
When you've got a clear idea of the plot of the film, you're ready to organize it. https://classificadosmaster.com/author/arzu-aliyevakcar090/ Planning is, of course, a small word with significance behind it, Says Aliyeva. It is about establishing your budget, creating list of shots, outline for interviews, working out the budget, and building your schedule. All of this should be done before turning to the camera.
When you are at the production stage , it is time for all the preparation to put into action. Aliyeva reminds us that the unwritten rule for film productions is that "Nothing happens as scheduled." It is possible that you prepared better than a lawyer in any class action, but everything can quickly alter in the course of your work. Aliyeva explains that it's important to work with your movie rather than against it.
After the production has been completed, it is time to get to the Post-production process. When all the footage has been recorded, it's time to consider what should be preserved. Aliyeva said that the majority of it would remain in the editing room.
Did you finish your movie? Great! Now it's time to make it accessible to the public. According to Arzu Aliyeva, Distribution isn't taught to filmmakers in the same way. Documentaries aren't in the same popularity as feature films unless they're epics with big budgets. It can be promoted on the web or you can try your luck at the big corporations.
Arzu Aliyeva's most Essential Equipment in a documentary
When asked about it, Aliyeva laughs and states that everything begins with a camera. Two crucial elements are essential for every documentary, regardless of the size and budget. The film should be viewed and heard. That means investing in the top camera you can get and using audio aids to help people listen to the footage you've presented them.
Once you've settled, there's much more filmmaking equipment that will help you with your task of communicating your message. It is dependent on the kind of documentary you're making. A reliable lighting system is necessary for making a documentary that relies entirely on archive footage and interviews. Cameras and audio stability device are necessary if you wish to make a film that includes a lot outdoors shooting.
Aliyeva said that every project is distinct and equipment can be used in a variety of ways. It isn't complete without thinking about equipment.
What is the longest time to make a documentary.
Arzu Aliyeva states that the duration of projects isn't a fixed amount. Certain projects can take months, others can take many years. Aliyeva states that it's all about the topic and your passion for it. Since Documentaries typically deal with significant social issues they are able to follow these issues as they unfold in the real world. Filmmakers often think that their projects can take several months to finish, but in reality , it could take them several years.
http://uznt42.ru/index.php?subaction=userinfo&user=Arzu.Aliyevaagwb313 The budget can also influence how long or short your film will run. Unexpected changes can happen in your budget when you're in the pre-production or production phases. Aliyeva splits it into two major scenarios:
The most likely:you probably ate more food than you could chew and invested too much in the beginning stages of production. The film will likely have less or no cash left to cover the remainder. Aliyeva thinks this could be a learning experience for you regarding how you can keep your movie alive , even with just a little cash.
The less likely option:The less likely scenario could only happen to the luckiest filmmakers according to Aliyeva. Arzu Aliyeva These are the locations that producers and large corporations get to know about your project and determine whether they will fund it in the future. This could help your efforts as well as open doors you never imagined.
Aliyeva wants to know how much it costs to make documentary.
The cost of your movie, like the other elements in this article , is highly project dependent. Arzu Aliyeva Arzu Aliyeva advises anyone who asks her to be extremely prudent when planning the budget. It is essential to comprehend your goals at each step of the film's production. The length of your film and its size will determine how much it will cost.
A film that is made from stories and testimonials isn't a big investment. The more expensive the movie is, the higher the cost. The price of many movies is ultimately determined by locations numbers, production value and the total budget for the film's featurettes.
Aliyeva believes that the cost determines your vision. Arzu Aliyeva Make sure the vision is able to justify your expenses.
Website: http://xn--101-8cd4f0b.xn--p1ai/user/Arzu.Aliyevamjel367/
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