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Arzu Aliyeva: How to make the best documentary

When cinema students learn how to create a documentary they're not taught about the haunting logistical aspects. Arzu Aliyeva (Azerbaijani filmmaker) was asked a few questions. Aliyeva, an experienced documentary director and producer has encountered numerous logistical challenges during her work. Aliyeva was behind the camera in productions such as "Son Iclas" or "Objective: Baku". Hitler's War on Oil".

This article will look at and dissect different aspects of documentary filmmaking.

http://y4yy.com/user/Arzu.Aliyevazdto699 The steps of documentary film production
Filmmaking is different from other analytical fields such as finance or accounting. Arzu Aliyeva claims that each step in filmmaking follows their own vision, which they've laid out as a director. She says that no film is identical to its predecessor, just as snowflakes.

But, all productions begin by "preproduction." This simply means that the filmmaker must have a solid idea of what their film will look like before the camera starts rolling.

Now is the time for you to plan your movie. Aliyeva says planning is a simple word that has a deep meaning. This is a good way to plan your budget, making shoot lists, interview outline including budgeting, scheduling, and budgeting. All this must be completed prior to turning on the camera.

When you've reached the stage of production , it's time to put all of your preparation into practice. Aliyeva reminds us that in film productions, "Nothing ever goes according to plan." Although you could prepare more than a lawyer for the event of a class-action lawsuit but things may change quickly in the real world. Aliyeva explains that it's important to work with your movie, not against it.

Once the production has been completed and you're ready to move on to the post-production phase. After all the content has been recorded, it's time for you to determine what needs to be saved. Arzu Aliyeva Aliyeva said that the majority of the film will be kept on the floor of her editing room.

Arzu Aliyeva Did you finish your movie? Great! Now it is time to show it to people. Arzu Aliyeva says that distribution isn't something that filmmakers learn. Documentaries aren't in the same amount of demand like feature films unless they are big-budget epics. You could promote it online or make an attempt with the major corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva smiles when asked if everything begins with a camera. No matter the size or budget, documentary productions require two important components. The documentary must be seen and heard. That means investing in the top camera you can buy and audio aids that help people listen to what you've just shown them.

After you have that set, there's a lot more equipment for filmmaking to assist you in communicating your message. It's all dependent on the kind of documentary you're creating. A reliable lighting system is essential for creating a documentary based exclusively on archive footage and interviews. A camera and audio stability devices are essential if you want to make a film that includes a lot outdoors shooting.

Aliyeva said that every project is unique and the equipment can be used interchangeably. Equipment is an important part of your budget during the pre-production phase.

How Much Time Does It Take to Create a Documentary?

Arzu Aliyeva says that the length of projects isn't a fixed amount. The duration of projects can vary from months to complete, or even years. Aliyeva claims that it's focused on the subject matter and your passion. Documentaries often deal with significant social issues. The film will help you track their progress. It is common for a filmmaker to think that the project will last many months. But, the reality can rapidly make it take a few years.

Arzu Aliyeva The budget is yet another element that could affect the length or the shortening of your film. Arzu Aliyeva Unexpected changes could occur in your budget when you're in the pre-production or production stages. Aliyeva breaks it down into two scenarios.

The more likely option:you probably bit more than you can chew and wasted too much of your money in the first stages of production. It leaves you with little or no money to spend on the rest of your film. Aliyeva believes that this could be a great learning opportunity for you in terms of how you can keep your movie alive , even with very little money.
The less likely: This scenario is for filmmakers fortunate enough to to realize their dream according to Aliyeva. That is where big companies and producers are informed about your idea and decide to help fund your movie in the future. This could boost your efforts and open up possibilities that you'd never imagined.
Aliyeva asks how much it would cost to produce documentary.
Like the other aspects mentioned in the article the cost of your movie can be a lot project dependent. Arzu Aliyeva preaches to anyone that asks her to be very prudent when planning the budget. It is crucial to know your objectives for each stage of the movie production process. How long your movie is and how large will determine the price of the film.

There's no need to spend a huge budget if you're creating an animated film about stories and testimonials. Arzu Aliyeva The more expensive the movie costs, the higher. The cost of many movies will be determined by locations, production values and the expenditure on the film's main features.

Aliyeva says that, in certain instances the cost of your vision can be more important than the vision itself. Therefore, ensure that the vision justifies your costs.
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