Notes

Arzu Aliyeva: How can you make the best documentaries?

Cinema students are taught to make a documentary film but not the emotional and logistical aspects. We have asked Azerbaijani filmmaker Arzu Aliyeva a few questions to find out more about. Aliyeva is a seasoned documentary producer and director has encountered numerous logistical challenges during her projects. Aliyeva was behind the filming of projects such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will look at and explore the "behind-the scenes" aspects of documentary filmmaking.

The phases of documentary production
Filmmaking is, unlike other professions that require analysis like accounting, doesn't have the luxury of a "fixed" method. Arzu Aliyeva Arzu Aliyeva says that every phase of documentarian's production are governed by their vision. She explained that every production is unique from the one before it.

Productions are always started by "preproduction." This simply means that the filmmaker should have an idea of what their film will look like before the camera starts rolling.

After you've decided what your movie is about It's time to organize it in a way that is suitable. Aliyeva says that planning is a common word that has a significant meaning. It involves scheduling, planning the budget, interview outline and preparing your schedule and preparing shots lists. Before you turn on your camera, all this must be completed .

Once you have reached the production stage , now it is time to put all the preparation you've made into action. Aliyeva reminds us that an iron rule in movie productions is that "Nothing is ever as it was scheduled." It is possible that you prepared more effectively than a lawyer for an action in a class but things can swiftly change when you're in the field. Aliyeva emphasizes that you need to evolve with your movie and not go against it.

After the production has been completed and you are ready to move on to the post-production process. After you've shot every bit of footage, it is time to see what is worth preserving. Aliyeva mentioned that the bulk of it would be left on the floor in the editing room.

Did you finish your movie? Great! Now it is time to share it with people. Arzu Aliyeva says that distribution is not something filmmakers are taught. If they're not epics with huge budgets, documentary films don't get as much attention. It's possible to promote it on the web or with large firms.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked whether all things begin with a camcorder. Documentaries require two crucial elements, regardless size or budget. The film needs to be watched by the audience, and they must be able to hear it. You need to have the most powerful camera you can and audio aids that enable viewers to be able to hear what you demonstrated.

Once that is settled after that, there are other filmmaking tools that can assist in communicating your message. It all depends on the kind of documentary you're creating. A reliable lighting system is essential for creating a documentary based entirely on archive footage and interviews. If you're making a documentary with a lot of outdoor shooting, you need to invest in the right camera and audio stability devices.

Aliyeva said that every project is unique , and the equipment can be used interchangeably. Thinking about equipment is an essential aspect of the budget division during the pre-production stage.

Arzu Aliyeva What is the longest time it takes to produce a documentary.

Arzu Aliyeva declares that the length an undertaking isn't a fixed amount. Projects can take from months to complete, or years. Aliyeva claims it's all about the topic and your passion for it. Because documentaries usually deal with important social issues The film has the ability to follow them when they take place in reality. A filmmaker can go into an idea thinking it will take months, however, reality can quickly turn into a couple of years.

Another thing that can either reduce or increase the length of your film is your budget. In the phase of production or in the pre-production stage certain unexpected changes to the budget may occur. Arzu Aliyeva Aliyeva breaks it down into two major situations.

The more likely option:you probably bit more than you can chew and lost a significant amount of money in the first stages of the production. You'll be left with very only a small amount of money to spend on the rest of your movie. Aliyeva mentioned that this could be a good lesson on how to keep your movie going even with no money.
The less likely scenario: According to Aliyeva this scenario is only possible for the most fortunate filmmakers. http://xpresscience.com/xs/members/arzu-aliyevadkxr900/activity/519696/ These are the locations where big companies and producers get to know about your project and determine whether they will fund the project in the future. This can boost your efforts as well as open doors you never imagined.
What is the cost to make a documentary according to Aliyeva
The price of your film as well as the other elements mentioned in this article, is project dependent. Arzu Aliyeva counsels anyone who inquires to be cautious about budget planning. https://controlc.com/1aa33383 It is crucial to understand precisely your goals in each movie stage. How long your movie is and how large will determine the price of your film.

A film that is inspired by stories or testimonials isn't a big investment. The more costly the film is, the more expensive it will cost. Production values, location numbers as well as the overall cost of films' features all play a factor in determining the cost of movies.

Arzu Aliyeva http://thehappyscrapper.ca/members/arzu-aliyevafqkv188/activity/55867/ Aliyeva believes that vision is often defined by cost. Arzu Aliyeva You should ensure that your vision exceeds the cost of your vision.
Homepage: http://b3.zcubes.com/v.aspx?mid=9807329