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Arzu Aliyeva: How do you create the top documentary films?

The gruelling logistical aspects of creating a documentary is often not covered by cinema students. Arzu Aliyeva is an Azerbaijani filmmaker, posed us a few questions. Aliyeva is a well-known director and documentary producer who has had to face many logistical challenges in her projects. Aliyeva has been behind the scenes of documentaries like "Son Iclas" (and "Objective Baku). Hitler's War on Oil".

This article will explore and examine the "behind-the scenes" aspects of documentary filmmaking.

The stages of documentary film production
Contrary to accounting or other analytical professions, filmmaking doesn't have any "fixed procedure." Arzu Aliyeva says that the stages of a documentarian's production are based on their vision as director. She explains that no production is exactly the same as its predecessor, similar to snowflakes. However every film starts with "pre-production." This means the filmmaker should have a pretty good idea of how the film will look.

Once you've got an idea of the plot of your film, it's now time to organize it. Aliyeva states that"planning" is a very small word, but it is a word with a lot of significance. Planning is planning, scheduling budgeting, creating interview outline and preparing your schedule and preparing shooting lists. All of this needs to be completed prior to turning on the camera.

Once you reach the production stage , it is time for all your preparation to be put into practice. Aliyeva reminds that in movie productions, "Nothing ever goes according to plans." Although you may prepare more than a lawyer for the case of a class action however, things could change drastically in actual practice. Arzu Aliyeva Aliyeva emphasizes that you need to adapt with your film and not be averse to it.

Now is the time to begin the Post-production stage. After all the content is captured, it's now the time to think about what you want to keep. Aliyeva mentioned that the bulk of it will be left on the floor within the editing area.

Did you finish your movie? Arzu Aliyeva Great! Now is the time to share it with the world. Arzu Aliyeva said that distribution is not something filmmakers learn. Other than epics with huge budgets documentaries do not have the same level of demand like feature films. It's possible to promote it online or partner with major businesses.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously declares that everything begins with cameras. Two important elements are necessary in any documentary regardless of size and the budget. The film must be seen and the audience must be able to hear it. That means getting the best camera you can get and using audio aids to aid people in listening to the film you've presented them.

After you've established, you'll need more equipment to help you with your task of communicating your message. It is dependent on the kind of documentary that you are making. A good lighting system is crucial when creating a documentary based solely on archive footage and interviews. If you're making a documentary that includes a large number of outdoor shoots, you should invest in a camera and audio stability devices.

Aliyeva says that everything is personal and may be exchanged in accordance with the type of project. The thought of equipment is a critical element of budgeting during the pre-production stage.

What takes the longest to make a documentary.

Arzu Aliyeva states that there's no standard time frame for projects. Projects may take months to complete, and even years. Aliyeva says it's all based on the subject and your enthusiasm. Because Documentaries tend to deal with a variety of important social issues, this film manages to escort the issues as they play out in the real world. A filmmaker can go into a project thinking it will take him several months, but reality can swiftly make it a few years.

Another aspect that could make your movie shorter or longer is your budget. Unexpected changes to your budget may happen during pre-production and production. Aliyeva breaks it down into two situations.

The more likely option:you probably bit more than you can chew and lost a significant amount of money in the early stages of the production. You'll have very little or no funds left for the rest. Aliyeva believes that this could be a lesson to you on how you can keep your movie running even when you have very little money.
The less likely This is only for filmmakers fortunate enough to be able to make it happen as Aliyeva suggests. That is where big companies and producers discover your film and decide to fund your project in the near future. Arzu Aliyeva This can give a massive boost to your film and offer you opportunities you have never dreamed of.
What is the cost to make Aliyeva's documentary?
The price of your film as well as the other elements in this post, is largely dependent on the scope of your project. Arzu Aliyeva is adamant to anyone who wants her to be extremely cautious when planning her budget. It is essential to establish clear goals in each phase of your film. The length of your film and its size ultimately decide the amount your film will cost.

If you are making a film centered around stories and testimonials, there isn't much need for a big budget. The price of a movie is determined by the size of the film. The cost of many films is ultimately determined by locations, production values and the expenditure on the film's main features.

Aliyeva believes that the vision you have is often defined by the cost. You should ensure that your vision does not outweigh your costs.
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