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Arzu Aliyeva: How do you make the best documentary

The terrifying logistical aspect of making a documentary film is rarely covered by cinema students. We have asked Azerbaijani filmmaker Arzu Aliyeva to get more information about it. Aliyeva, an established documentary director and producer, has experienced a variety of logistical hurdles in her work. Aliyeva sat behind the director's chair in productions like Son Iclas" and "Objective: Baku. Hitler's War on Oil

This article will investigate and dissect different aspects of making documentary films.

The steps of document production
Filmmaking is unlike other analytical fields like accounting, doesn't follow an "fixed" process. Arzu Aliyeva states that every stage of a documentarian’s production are governed by their ideas. She explained that each film is different from its predecessor.

Even still, every production begins with "pre-production." This signifies that before a camera begins to roll, the filmmaker needs to be able to form an opinion of how their film should look.

After you've decided the subject matter of your film then it's time to plan it out. Aliyeva says that planning is a small term, but it has a lot of meaning. It involves scheduling, planning the budget, interview outline creating your schedule and preparing shots lists. All of this should be done before you turn to the camera.

Arzu Aliyeva When you are at the stage of production , it is time for all the preparation to put into use. Aliyeva reminds us that film productions can be unpredictable. You'll be able to plan better than a lawyer for the class action lawsuit, but things could change rapidly in the real world. Aliyeva stresses the importance making your film move along with it and not fighting it.

Once the production has been completed and you're ready to move on to the post-production phase. Arzu Aliyeva Once all the material has been shot, it is the time to think about what should be preserved. Aliyeva says that the majority of the content will be stored in her editing room.

Did you finish your movie? Great! Now is the time to open it to the public. According to Arzu Aliyeva, Distribution is rarely taught to filmmakers. If they're not epics with huge budgets, documentary films don't have as much demand. You could promote it online or approach the biggest companies.

Arzu Aliyeva's most Essential Equipment in a documentary
If asked, Aliyeva jokes states that everything begins with cameras. Documentaries need two key elements, regardless size or budget. The film should be seen, and the audience should be able to hear it. This means that you require the best audio equipment and camera so people can hear what you have just shown.

Once that is settled after that, there are other tools for filmmaking that can assist in communicating your message. This is contingent on the kind of documentary you're making. If you're making the documentary solely from interviews or archives, it will be advantageous to have good lighting. You must invest in a camera as well as audio stability systems for when you want to make the film with lots of outdoor images.

Aliyeva stated that every project is different and equipment is able to be used interchangeably. Pre-production can't be complete without thinking about the equipment.

What is the longest time it takes to make a documentary.

Arzu Aliyeva claims that there's no standard time frame for projects. Different projects can take just a few months or several years. Aliyeva says it's all based on the subject and your enthusiasm. Documentaries often deal with important social issues . The documentary can aid you in following the development of their projects. Filmmakers often think that their projects could take several months to finish, but in reality , it could be a long time.

Budget also influences the length or duration of your movie runs. While you're in your stages of production or pre-production certain unexpected changes to your budget could occur. Aliyeva categorizes it into two major scenarios.

The most likely scenario:you probably bit more than you can chew and lost a significant amount of funds in the initial stages of film production. You'll have very little or no cash left for the rest. Aliyeva thinks this could be a learning moment for you in terms of how you can keep your movie alive , even though you have the smallest amount of money.
Arzu Aliyeva The less probable one: According to Aliyeva the less likely scenario is only feasible for those filmmakers who are fortunate. This is where producers and big companies hear about your film and then decide to finance it in the near future. This could give a huge boost to your efforts and give you options you have never dreamed of.
Aliyeva inquires about the amount it costs to make a documentary.
Along with the other factors that are discussed in the article, the price of your movie could be extremely project-dependent. Arzu Aliyeva enjoins all who asks her to be cautious when it comes to making budgets. It is essential to establish clear film's goals for each stage. The length of your film as well as the size of it will decide the amount it will cost.

If you're making a film centered around stories and testimonials you don't have much need for a big budget. https://news.az/news/president-ilham-aliyev-and-first-lady-mehriban-aliyeva-visit-tartar-district The cost of a movie is determined by the size of the film. The price of many films is eventually set by locations, production values and the total investment in the film's features.

https://president.az/en/articles/view/59218 Aliyeva says sometimes, the cost is what defines your vision. Arzu Aliyeva You should ensure that your vision exceeds your expenditures.
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