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Arzu Aliyeva: How to make the best documentary movie

The haunting logistical aspect of making a documentary film is often not discussed by film students. Arzu Aliyeva (Azerbaijani filmmaker) was asked a few questions. Aliyeva is a well-known filmmaker as well as documentary producer, who has encountered numerous logistical hurdles during her projects. Aliyeva worked behind the camera in productions like "Son Iclas" or "Objective: Baku". The Nazis' War on Oil

This article will discuss and analyze the various "behind the scenes" aspects of documentary filmmaking.

The film production process
Filmmaking, unlike other analytical professions such as accounting, doesn't have the luxury of a "fixed" method. Arzu Aliyeva claims that all stages of the production of a documentary are guided by their vision. She states that no production is exactly the same as its predecessor, much like snowflakes.

However, every film starts with "pre-production." It simply means that , before the camera starts rolling, the filmmaker needs to have a good idea of how his film should look.

After you've decided the theme of your film It's time to plan it accordingly. Planning is, obviously an unimportant word that has a significant meaning behind it, Says Aliyeva. This is a good way to plan your budget, making shoot lists, interview outline, budgeting, and scheduling. Arzu Aliyeva All this must be completed prior to turning on the camera.

Arzu Aliyeva After you've reached your final stage of production , now it is time to put all your planning into action. Aliyeva reminds us of an essential rule of film production is that "Nothing can ever go as expected." You could have done better than a lawyer before any class action, but everything can quickly change in practice. Arzu Aliyeva Aliyeva emphasizes that you need to change with your movie and not be averse to it.

When the production is finished the time has come to move on to the post-production stage. After you've shot all of the footage and are ready to decide what's worth saving. Aliyeva explained that the majority of the footage would end up in the editing room.

Did you finish your movie? Great! Now it is time to present it to people. According to Arzu Aliyeva, distribution isn't taught to filmmakers in the same way. Unless you are big-budget epics Documentaries aren't in the same level of demand as feature films. You could advertise it on the web or make an attempt with the major companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked if all things begin with a camcorder. Two important elements are necessary for any documentary, regardless of its size and budget. The film must be heard and seen. You should have the best camera available as well as audio aids that allow people to be able to hear what you shown them.

After you have that settled, there's much more equipment for filmmaking that can help you in conveying your message. Of course, it is contingent upon the type of documentary you're creating. It would help if you had a good lighting system to create a documentary solely based on interviews and archive footage. If you're creating a film with a lot of outdoor shoots, you should invest in the right camera and audio stability devices.

Aliyeva clarifies that it's highly individual and interchangeable in accordance with the project you're planning on creating. It isn't complete without considering equipment.

How Long Does It Take to create a documentary?

According to Arzu Aliyeva, length of your project isn't set in stone. Projects may take months to complete, and even years. Aliyeva says it all depends on the subject and the passion you have for it. Since documentaries are often concerned with significant social issues, the movie is able to follow these issues when they take place in reality. It is quite possible for filmmakers to imagine that the project will last some time. However, the reality could rapidly make it take a few years.

Budget is another aspect that can affect the length of or shortening your film. When you're amid your phase of production or in the pre-production stage the possibility of unexpected changes to your budget can occur. Aliyeva splits it into two situations.

The more likely option:you probably bit more than you can chew , and spent too much money in the early stages of production. So, you'll have very little or no funds for the rest of your movie. Aliyeva claims this can be a teachable moment regarding finding out how to keep your film going and with little or no funds.
https://www.crunchbase.com/person/arzu-aliyeva The less likely one:The less likely scenario could only happen to filmmakers with the most luck, according to Aliyeva. Producers and large corporations hear about your work and then decide to finance it in the future. This can provide a major boost to your project and give you options you've never imagined.
Aliyeva inquires about the amount it will cost to create documentary.
Arzu Aliyeva The cost of your movie as with other components in this article is highly dependent on the project. Arzu Aliyeva encourages everyone who wants to know her advice to be mindful when it comes to setting budgets. It is essential to comprehend your objectives for each stage of the production process. The length of your film and how big it is will ultimately determine the cost of the film.

There is no need for a massive budget if you're creating films about stories or testimonials. The price of a movie is determined by the size of the film. Production values, location numbers and the overall investment in films' features all play a part in determining the price of films.

https://dbpedia.org/page/Arzu_Aliyeva Arzu Aliyeva Aliyeva explains that at times the price of your vision may be as important as the actual vision. Make sure that your vision is worth the price.
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