Notes

Film School: The Production Designer
One of the very most important roles in any film school education is that of the production designer. It may seem it's a simple task, but it's more than precisely what it says. In more info 's more of a supervisory position where you have several people working under you. However, all of them contribute to the entire look of whatever film is being made.

The production designer's responsibility is that of maintaining the look of a film. By working closely with the director and the director of photography, they are able to keep the visual style of the film in check over the course of the production.

The production designer works with other key members of a production such as the costume designer, to make certain the style sense meshes with the feel of the film. Say you're creating a film occur the 1950s and for reasons uknown someone is wearing clothing for the 1970s; this may clearly be considered a problem as you intend to keep track of these types of issues. The same also goes for props and furniture, especially if it's a period piece that's being made; you always want everything to be from the same time frame. You wouldn't want a film set in the 1940s to have characters using mobile phones, would you?

check here of things revolve around the photography, the costumes and many times, in science fiction for example, the special effects. Look at the film Blade Runner for instance and its own resemblance to the classic film noir style fused with a post-apocalyptic ambiance. Imagine the way the overall look of the film will be drastically altered if sunny exteriors were suddenly incorporated in to the film? It would type of throw the whole vibe of the film off kilter, which is why the production designer is this type of crucial element to any film production.

In film school, you might not realize how important this position happens to be. Production designers work in close connection with the director to make certain that every visual detail is in play. Sometimes it's not an easy task. In a few of the films I've worked during and after film school, I've seen production designers work themselves to the bottom making sure that everything comes together ultimately. Using one such occasion, I was helping the production designer search for authentic costumes for a comedy occur the 1970s, which meant scouring many thrift stores and friends attics for polyester clothing. Sometimes it was nearly impossible to find anything, but with a lot of research and finding some off the beaten path stores, a lot of the required clothes were found.

Such painstaking realism is often sought by filmmakers who strive for every iota of authenticity. Most notable is Stanley Kubrick's Barry Lyndon, which is occur the 18th century; every single aspect of this specific film is founded on the look and design of that era from the costumes, some of that have been authentic 18th century clothes, to the usage of lighting where specific scenes were filmed entirely in candle light even to the establishing shots which resembles paintings of the era. While much of the look was primarily Kubrick's vision, much of it fell onto the production designer who supervised a crew to ensure that all the minor details fell into invest the grand scheme of things.

In any film school education, it is critical to keep an eye on these details, simply by watching films. It's also important to have a greater understanding on how crucial the production designer is in film, along with television and theater.
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