Notes

Film School: The Production Designer
One of the most important roles in virtually any film school education is that of the production designer. It may seem it's an easy task, but it's a lot more than precisely what it says. In a few ways it's more of a supervisory position where you have several people working under you. However, all of them contribute to the overall look of whatever film is being made.

The production designer's responsibility is that of maintaining the look of a film. By working closely with the director and the director of photography, they could keep the visual design of the film in balance over the course of the production.

The production designer works together with other key members of a production like the costume designer, to make sure that the style sense meshes with the feel of the film. Say you're making a film occur the 1950s and for some reason someone is wearing clothing for the 1970s; this can clearly be considered a problem as you intend to keep track of these kinds of issues. The same also applies to props and furniture, particularly if it's a period piece that's being made; you always want everything to be from once frame. You wouldn't want a film set in the 1940s to have characters using cell phones, would you?

These kinds of things revolve round the photography, the costumes and several times, in science fiction for instance, the special effects. Look at the film Blade Runner for instance and its own resemblance to the classic film noir style fused with a post-apocalyptic ambiance. Imagine the way the look and feel of the film will be drastically altered if sunny exteriors were suddenly incorporated into the film? check here would sort of throw the complete vibe of the film off kilter, which explains why the production designer is this type of crucial element to any film production.

In film school, you may not realize how important this position actually is. Production designers work in close contact with the director to be sure that every visual detail is in play. Sometimes Film School: The Production Designer isn't an easy task. In some of the films I've worked during and after film school, I've seen production designers work themselves to the bottom making sure that everything comes together ultimately. Using one such occasion, I was helping the production designer seek out authentic costumes for a comedy occur the 1970s, which meant scouring many thrift stores and friends attics for polyester clothing. Sometimes it was nearly impossible to get anything, but with plenty of research and finding some off the beaten path stores, the majority of the required clothes were found.

Such painstaking realism is often sought by filmmakers who strive for every iota of authenticity. Most notable is Stanley Kubrick's Barry Lyndon, that is set in the 18th century; each and every aspect of this specific film is founded on the look and design of that era from the costumes, some of which were authentic 18th century clothes, to the use of lighting where specific scenes were filmed entirely in candle light even to the establishing shots which resembles paintings of the era. While a lot of the appearance was primarily Kubrick's vision, much of it fell onto the production designer who supervised a crew to be sure that all of the minor details fell into place in the grand scheme of things.

In any film school education, it is important to keep an eye on these details, simply by watching films. You'll want to have a larger understanding on what crucial the production designer is in film, in addition to television and theater.
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